Javascript must be enabled to continue!
Flying Apsaras (Feitian)
View through Harvard Museums
Flying divinity, flying toward left and facing right. Purportedly from Tianlongshan, Shanxi province.
Department of Asian Art
Grenville L. Winthrop New York (by 1943) bequest; to Fogg Art Museum 1943.
Harvard Art Museums/Arthur M. Sackler Museum Bequest of Grenville L. Winthrop
Title: Flying Apsaras (Feitian)
Description:
Flying divinity, flying toward left and facing right.
Purportedly from Tianlongshan, Shanxi province.
Related Results
Flying Apsaras (Feitian) Holding a Drum
Flying Apsaras (Feitian) Holding a Drum
Flying divinity holding a drum, flying toward left and facing right. Purportedly from Tianlongshan, Shanxi province....
Flying Apsaras Playing a Lute (Pipa)
Flying Apsaras Playing a Lute (Pipa)
Flying divinity holding a lute (pipa), flying toward left and facing right. Purportedly from Tianlongshan, Shanxi province....
Flying Apsaras (Hiten)
Flying Apsaras (Hiten)
Japanese cypress with lacquer and gold, Heian period (794–1185), Japan...
Flying Apsaras Offering an Alms Bowl
Flying Apsaras Offering an Alms Bowl
Flying divinity facing proper right with trailing scarves and holding a bowl in both hands. Low sandstone relief from the ceiling of cave 3 (south panel) at Tianlongshan, Shanxi pr...
Rant-Che-Wai-Me Female Flying Pigeon, with plaits wearing a pink dress with flower decor and shawl, necklaces and holding a feather fan.
Rant-Che-Wai-Me Female Flying Pigeon, with plaits wearing a pink dress with flower decor and shawl, necklaces and holding a feather fan.
Lettering: Rant-Che-Wai-Me Female Flying Pigeon. Painted by C.B. King. Lehman & Duval lith.rs. Entered according to act of Congress in the year 1837 by E.C. Biddle in the Clerks of...
Fragment with Purple Interlace and Vine
Fragment with Purple Interlace and Vine
A tapestry woven purple band on a ground of bleached linen. An outer border composed of a vine and berry pattern runs above the band. The meander interlace pattern is created with ...
Väinämöinen laulaa loitsuja. Kuusen latvasta nousee mieshahmo.
Väinämöinen laulaa loitsuja. Kuusen latvasta nousee mieshahmo.
Väinämöinen did not enjoy staying in the dark lands of Pohjola but wanted to go back to his home in Väinölä. Louhi, the mistress of the Northland, asked Väinämöinen to forge the Sa...