Yemapoetics: Towards a Theory of Healing in Indigenous Poetry from Sikkim

Literature that is being composed from or about the politico-geographical category of Northeast India focuses on violence and ethnic movements in major ways (Hazarika, 1996; Barpujari, 1998; Baruah, 2005; Paula, 2008). While Weberian understanding of indigenous cosmology has led to archiving, documenting and research on ethnic epistemologies from Northeast India, in the absence of indigenous literary theories, literature from this region faces the challenges of homogenisation or becoming case studies for ethnographic documentation and anthropological inquiry (Karlsson & Subba, 2006; Subba, 2009; Lepcha et al, 2020 in the context of Sikkim). This paper intends to propose a theory of reading that upholds the role and participation of the poet(ess) as a shaman- a transforming agent and a transformed individual herself. This theory is being named Yemapoetics, deriving its epistemic framework from the figure of shamaness or Yema in the Limboo healing tradition in Sikkim. Yemapoetics is an attempt to propose a new indigenous paradigm for indigenous literary expression around the world. This theory identifies stages of poetic composition as well as reception, ranging from purification, possession, communication to catharsis. An indigenous literary theory like this will provide contexts for locating the poet(ess), examining her/his role as community healer who connects the modern, urban psyche of individuals with communal, archetypal symbols. This enables a process of retracing and re-membering through the poetic act that is essential to healing and recovery. Just as Limboo cosmology recognises women as first humans to be created, this paper argues that women’s psychospiritual agency should be at the centre for poetic theories to accord validity and applicability of feminist spirituality to indigenous literary theorisation. For the purpose, an illustration of the proposed theory will be made with reference to select indigenous poets from Sikkim.