Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

New Delhi

View through Harvard Museums
A scene of urban sprawl in the outer neighborhoods of Delhi. The photograph, taken from an areal viewpoint provides a birdseye view upon a large swath of land, where small figures and vehicles interact within a highly structured, if desolate, urban space. In this image, Singhal has created a strong traditional landscape composition: with atmospheric perspective, clear fore, middle, and backgrounds and powerful orthagonals formed by streets, rows of buildings, train tracks, and a canal that recede into a vast, unsee-able horizon. Also similar to Western landscape traditions is the depiction of a strong, flat horizon line and large field of sky, which takes up over a third of the composition. The color palete of this photograph is subdued, earthtones (that very tan earth and red clay of Delhi) and soft greys, which agree with the hazy sky and sinking sunlight of dusk, the time the photograph was taken. The only colors that disrupt this restrained image are the brilliant green and yellow of the CNG rickshaws, and the glowing red of streetlights and the digital clock.
Department of Islamic & Later Indian Art Rishi Singhal (2004-2008) sold [through Vadehra Art Gallery New Delhi India]; to Conley Harris and Howard Truelove 2008 gift; to Harvard Art Museums 2008. Harvard Art Museums/Arthur M. Sackler Museum Gift of the Conley Harris and Howard Truelove Collection in honor of Kim Masteller
Title: New Delhi
Description:
A scene of urban sprawl in the outer neighborhoods of Delhi.
The photograph, taken from an areal viewpoint provides a birdseye view upon a large swath of land, where small figures and vehicles interact within a highly structured, if desolate, urban space.
In this image, Singhal has created a strong traditional landscape composition: with atmospheric perspective, clear fore, middle, and backgrounds and powerful orthagonals formed by streets, rows of buildings, train tracks, and a canal that recede into a vast, unsee-able horizon.
Also similar to Western landscape traditions is the depiction of a strong, flat horizon line and large field of sky, which takes up over a third of the composition.
The color palete of this photograph is subdued, earthtones (that very tan earth and red clay of Delhi) and soft greys, which agree with the hazy sky and sinking sunlight of dusk, the time the photograph was taken.
The only colors that disrupt this restrained image are the brilliant green and yellow of the CNG rickshaws, and the glowing red of streetlights and the digital clock.

Related Results

The Great Mosque of Delhi, India. Novr. 1878
The Great Mosque of Delhi, India. Novr. 1878
Oil painting on paper of the Great Mosque at Delhi by Marianne North (1830-1890), dated November 1878. A number of cities have been built in the vicinity of Delhi on the banks of t...
Skinner's Tomb, St. Jame's Church, Delhi (left) Styles and titles in Persian of Metcalfe as Agent of the G.G. (right)
Skinner's Tomb, St. Jame's Church, Delhi (left) Styles and titles in Persian of Metcalfe as Agent of the G.G. (right)
[From 'Reminiscences of Imperial Delhi', an album consisting of 89 folios containing approximately 130 paintings of views of the Mughal and pre-Mughal monuments of Delhi, as well a...
Kutub Minar, Delhi
Kutub Minar, Delhi
Samuel Bourne no. 1370. This photograph depicts the Qutb Minar and a portion of the iwan of the Quwwat ul'Islam Mosque in Merauli, south of New Delhi. The focus of the image is th...

Back to Top