[Pietá: Mary with the dead Christ in the lap with Mary Magdalene in a cave; The Dead Savior in the Lap of the Virgin]

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

The present canvas is signed and dated “Jusepe de Ribera español 1633” on the stone at the lower right corner, a formula used by the artist throughout the 1630s and to which on occ...

This small panel of the Virgin and Child belonged to Frederick II of Prussia. It was in the Rohoncz collection by 1930, the date when it was included in the exhibition held at the ...

This pair of panels formed part of a large ensemble of which the other subjects are now unknown. Within the Museum’s collection they are among the most iconographically interesting...

This pair of panels formed part of a large ensemble of which the other subjects are now unknown. Within the Museum’s collection they are among the most iconographically interesting...

Jacques Daret trained with Robert Campin, in whose workshop he is recorded in 1428. In 1432 he is registered in the painters’ guild in Tournai. Daret’s works are heavily indebted t...

'The Syon Cope', scenes from the Life of Christ and the Virgin, linen embroidered with silk, silver-gilt and silver thread, England, 1300-1320. Linen embroidered with silk, silver-...

The collection of Early Italian paintings in the Museo Thyssen-Bornemisza has two works by Bernardo Daddi: the present Virgin and Child and a Crucifixion. From their dimensions it ...