Javascript must be enabled to continue!
Richard Burbage and the Shakespearean Stage
View through CrossRef
The first in-depth study of the career of Shakespearean ‘star’ actor and theatrical impresario, Richard Burbage.
This book draws on new archival research to offer the first comprehensive study of Burbage’s brilliant theatrical career and his ground-breaking contribution to the development of professional theatre as co-founder and owner of the Globe Theatre and a co-owner and manager of the Second Blackfriars Theatre. Richard Burbage is best known for becoming the leading actor in Shakespeare’s acting company, the Lord Chamberlain’s (later, the King’s) players, and as the man for whom Shakespeare created some of his most memorable leading roles, including Hamlet, Othello and King Lear. He was one of the first ‘star’ actors whose reputation came to transcend the roles he performed and who played a pivotal part in the success of London’s theatre in Shakespeare’s day.
Siobhan Keenan begins by tracing Burbage’s early life in Shoreditch, and the emergent theatrical community of which he was a part, before moving on to explore his growing reputation as a player and theatre manager, first as a member of the newly-formed Lord Chamberlain’s Players (1594), through to his establishment as one of the leading actors of his era as chief player with the King’s Men and co-owner of the Globe and Blackfriars Theatres.
Burbage’s influence on the era’s leading professional playwrights, including, most notably, Shakespeare, but also contemporaries such as Ben Jonson and John Webster, is examined alongside an assessment of his wider impact on early modern acting traditions and his cultural legacy as a Shakespearean star actor and early theatrical entrepreneur.
Title: Richard Burbage and the Shakespearean Stage
Description:
The first in-depth study of the career of Shakespearean ‘star’ actor and theatrical impresario, Richard Burbage.
This book draws on new archival research to offer the first comprehensive study of Burbage’s brilliant theatrical career and his ground-breaking contribution to the development of professional theatre as co-founder and owner of the Globe Theatre and a co-owner and manager of the Second Blackfriars Theatre.
Richard Burbage is best known for becoming the leading actor in Shakespeare’s acting company, the Lord Chamberlain’s (later, the King’s) players, and as the man for whom Shakespeare created some of his most memorable leading roles, including Hamlet, Othello and King Lear.
He was one of the first ‘star’ actors whose reputation came to transcend the roles he performed and who played a pivotal part in the success of London’s theatre in Shakespeare’s day.
Siobhan Keenan begins by tracing Burbage’s early life in Shoreditch, and the emergent theatrical community of which he was a part, before moving on to explore his growing reputation as a player and theatre manager, first as a member of the newly-formed Lord Chamberlain’s Players (1594), through to his establishment as one of the leading actors of his era as chief player with the King’s Men and co-owner of the Globe and Blackfriars Theatres.
Burbage’s influence on the era’s leading professional playwrights, including, most notably, Shakespeare, but also contemporaries such as Ben Jonson and John Webster, is examined alongside an assessment of his wider impact on early modern acting traditions and his cultural legacy as a Shakespearean star actor and early theatrical entrepreneur.
Related Results
French Receptions of Shakespearean Tragedy
French Receptions of Shakespearean Tragedy
The philosopher Alain synthesized the French approach to Shakespeare when he announced: ‘If Hamlet fell down to Earth, naked, without its procession of admirers, the critics would ...
Respiratory diseases and respiratory failure
Respiratory diseases and respiratory failure
Chapter 5 covers respiratory diseases and respiratory failure, including clinical presentations of respiratory disease, assessment of diffuse lung disease, hypoxaemia, respiratory ...
Shakespeare in the Theatre: Reduced Shakespeare Company
Shakespeare in the Theatre: Reduced Shakespeare Company
The first dedicated historical study of the Reduced Shakespeare Company, this book explores the troupe’s four major Shakespearean works over the past four decades.
...
Reverie of a Shakespearean Walker
Reverie of a Shakespearean Walker
This chapter is about walking to, from, and during Shakespearean performance. It argues that this walking enhances the way a production matters for its various audience members. Th...
Shakespeare, Race and Anglophone Popular Culture
Shakespeare, Race and Anglophone Popular Culture
This collection theorizes the intersections between race, Shakespearean adaptation and pop culture. Chapters take a range of investigative approaches, some centring Shakespeare and...
Shakespeare's Afterlife in the Royal Collection
Shakespeare's Afterlife in the Royal Collection
Abstract
This unique collection of essays explores a series of objects in the Royal Collection as a means of assessing the interdependent histories of the royal f...
Performing Shakespearean Tragedy, 1660–1780
Performing Shakespearean Tragedy, 1660–1780
As much as we may look for continuities across historical divides, the Interregnum and the closing of the theatres produced many kinds of fracture in the ways Shakespeare’s tragedi...
Introduction
Introduction
What is a Shakespearean comedy? Nearly half of Shakespeare’s plays could be described as comedies of some kind, but more restrictive criteria would whittle the number to just half ...

