Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Gepid? or other North Balkan Imitation of a Thessalonike Solidus of Justinian
View through Harvard Museums
Department of Ancient and Byzantine Art & Numismatics
Harvard Art Museums/Arthur M. Sackler Museum Bequest of Thomas Whittemore
Title: Gepid? or other North Balkan Imitation of a Thessalonike Solidus of Justinian
Description not available.
Related Results
Solidus of Justin I and Justinian I, Constantinople
Solidus of Justin I and Justinian I, Constantinople
Obv.: To l., Justin I, to r., Justinian I, both seated facing on thrones of which only the uprights are show;, figures are nimbate, with trefoil ornament on heads, their hands clas...
Solidus of Justin I and Justinian I, Constantinople
Solidus of Justin I and Justinian I, Constantinople
Obv.: Justin (l.) and Justinian (r.) seated to front on double throne; both figures are nimbate with trefoil ornaments on their heads, their hands clasped to their breasts; each ho...
Solidus of Justin I and Justinian I, Constantinople
Solidus of Justin I and Justinian I, Constantinople
Obv.: Justin (l.) and Justinian (r.) seated to front on a double throne of which uprights and crossbar are shown; both figures are nimbate, with trefoil ornament on their heads, th...
Solidus of Justinian II, First Reign
Solidus of Justinian II, First Reign
Obverse: Bust of Christ, facing, with long hair and full beard, wearing pallium over colobium. R. hand raised before him in benediction; in l., book of the gospels. Behind head, cr...
Flintlock Pistol
Flintlock Pistol
Steel silver gold, Balkan lock and barrel European (probably French)...
Recent Results
Travel, Politics and the Limits of Liminality During Australia’s Sixties
Travel, Politics and the Limits of Liminality During Australia’s Sixties
Victor Turner describes the individual experience of travel as ‘liminal’. Opening new vistas of possibility, it upturns ordinary social conventions and codes, constructing in their...
What We Share Is Who We Are and What We Do: How Emotional Intimacy Shapes Organizational Identification and Collaborative Behaviors
What We Share Is Who We Are and What We Do: How Emotional Intimacy Shapes Organizational Identification and Collaborative Behaviors
We focus on the concept of emotional intimacy among organizational members and investigate its influence on both their (a) perceptions and (b) behaviors. With regard to employees’ ...
Unknown Artist, Crucifix Mount and Processional Crucifix, Limoges (ca. 1200)
Unknown Artist, Crucifix Mount and Processional Crucifix, Limoges (ca. 1200)
Crucifix Mount: partly gilt and enamelled copper plate with a gilt bronze figure riveted to it, 18.2 × 13.2 cm, weight 215 g; Processional Crucifix: wooden core, partly gilt and en...
Your session has timed out for security reasons.