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Scallop-Rimmed Charger with Courtly Couple
View through Harvard Museums
The interior of this impressive vessel is decorated with two large-scale, seated figures whose long-sleeved garments signal their courtly status. Tiraz bands on the upper arms of one figure’s caftan offer an additional indication of wealth and prestige. A bird in the tree between the pair and a second bird below them suggest a garden setting. The background is decorated with tiny spirals incised in the luster. These background spirals, combined with the representation of the figures in reserve, are characteristic of the so-called Kashan style of luster ceramics. Bands on the wall and rim of the vessel contain Persian words that are mostly illegible due to the compromised condition of the dish. The inner inscription is written in luster on a white ground; the one on the rim is incised on a luster ground, now quite abraded. All that can be deciphered of the inner inscription is “Rustam from an infatuated heart . . .”.
Prior to its arrival at the Harvard Art Museums, this chrager was reconstructed from many small pieces and the entire inner surface covered in clear varnish. The rim and walls are nearly half recomposed from plaster and alien bits of ceramic. The center has been reassembled from original fragments, although the fish on the left side may come from another luster vessel. The exterior of the charger is decorated with loosely painted circles. The base is smoothed with a modern layer of clay.
Department of Islamic & Later Indian Art
[Mansour Gallery London 1973] sold; to Stanford and Norma Jean Calderwood Belmont MA (1973-2002) gift; to Harvard Art Museums 2002.
Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Scallop-Rimmed Charger with Courtly Couple
Description:
The interior of this impressive vessel is decorated with two large-scale, seated figures whose long-sleeved garments signal their courtly status.
Tiraz bands on the upper arms of one figure’s caftan offer an additional indication of wealth and prestige.
A bird in the tree between the pair and a second bird below them suggest a garden setting.
The background is decorated with tiny spirals incised in the luster.
These background spirals, combined with the representation of the figures in reserve, are characteristic of the so-called Kashan style of luster ceramics.
Bands on the wall and rim of the vessel contain Persian words that are mostly illegible due to the compromised condition of the dish.
The inner inscription is written in luster on a white ground; the one on the rim is incised on a luster ground, now quite abraded.
All that can be deciphered of the inner inscription is “Rustam from an infatuated heart .
.
.
”.
Prior to its arrival at the Harvard Art Museums, this chrager was reconstructed from many small pieces and the entire inner surface covered in clear varnish.
The rim and walls are nearly half recomposed from plaster and alien bits of ceramic.
The center has been reassembled from original fragments, although the fish on the left side may come from another luster vessel.
The exterior of the charger is decorated with loosely painted circles.
The base is smoothed with a modern layer of clay.
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