Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Black Paris: The African Writers' Landscape/Paris Noir: African Americans in the City of Light
View through CrossRef
Black Paris: The African Writers' Landscape. Bennetta Jules‐Rosette. Urbana: University of Illinois Press, 1998. xviii. 253 pp., appendixes, notes, references, index.Paris Noir: African Americans in the City of Light. Tyler Stovall. Boston: Mariner Books, 1996. xvi. 336 pp., illustrations, notes, bibliography, index.
Title: Black Paris: The African Writers' Landscape/Paris Noir: African Americans in the City of Light
Description:
Black Paris: The African Writers' Landscape.
Bennetta Jules‐Rosette.
Urbana: University of Illinois Press, 1998.
xviii.
253 pp.
, appendixes, notes, references, index.
Paris Noir: African Americans in the City of Light.
Tyler Stovall.
Boston: Mariner Books, 1996.
xvi.
336 pp.
, illustrations, notes, bibliography, index.
Related Results
Constantinople as 'New Rome'
Constantinople as 'New Rome'
<!--[if gte mso 9]><xml> <o:DocumentProperties> <o:Revision>0</o:Revision> <o:TotalTime>0</o:TotalTime> <o:Pages>1</o:Pages> &...
The reception of American and French film noir in post-war Greece, 1945‐58
The reception of American and French film noir in post-war Greece, 1945‐58
The aim of this article is to examine the distribution, promotion and critical reception of American and French film noir in Greece from 1944 to 1958 and to shed light to the reaso...
Butch Noir
Butch Noir
This article puts the generic concept of “butch noir” in dialogue with queer theories of temporality. Reworking the 1980s performance category of dyke noir that was used to describ...
Domestic noir: Fictionalising trauma survival
Domestic noir: Fictionalising trauma survival
How can authors fictionalise trauma without cognitively suffering intense vicarious trauma in that writing process? This paper explores this question through the lens of fictionali...
Ary Scheffer, een Nederlandse Fransman
Ary Scheffer, een Nederlandse Fransman
AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that...
Racing Away from Race: The Literary Aesthetics of Islam and Gender in Mohammed Naseehu Ali’s The Prophet of Zongo Street and Abubakar Adam Ibrahim’s The Whispering Trees
Racing Away from Race: The Literary Aesthetics of Islam and Gender in Mohammed Naseehu Ali’s The Prophet of Zongo Street and Abubakar Adam Ibrahim’s The Whispering Trees
Some literary discussions on Islam in West Africa argue that African Muslims owe allegiance more to Arab race and culture since the religion has an Arab origin while owing less to ...
“Emergent Noir”: Film Noir and the Great Depression in High Sierra (1941) and This Gun for Hire (1942)
“Emergent Noir”: Film Noir and the Great Depression in High Sierra (1941) and This Gun for Hire (1942)
This article theorizes a new periodization for film noir through a prewar category of “emergent noir”: seven films released between 1940 and 1942 – including The Maltese Falcon and...
Beyond the Pulp Vanguard: Bruce Andrews's Film Noir Series and the Dead-End of Escapist Experimentalism
Beyond the Pulp Vanguard: Bruce Andrews's Film Noir Series and the Dead-End of Escapist Experimentalism
Despite the fact that Bruce Andrews's interests cut across different aesthetic media, with concepts from music, dance and film many times determining the formal and conceptual cont...