Javascript must be enabled to continue!
The afterlife of punk: Evental sites of punk 771
View through CrossRef
Building on the argument of my previous article ‘Autonomy and agency: The event of punk 77’, this article defends the continuing political relevance of punk. Rejecting the dominant story that punk was a utopian, short-lived revolution, over before it had a chance to effect any social change, I argue that punk survives through people who, radicalized by its vision of cultural agency, motivate revolutionary ‘ways of being’ committed to realizing and transmitting that vision to others. The subjects of 77 are heir to a revolutionary tradition, choosing to ‘keep’ punk ‘alive’ through fidelity to its inaugural event; a fidelity that involves renewed acknowledgement of the ‘subversive’ dimension of the event’s original ‘epochal rupture’. Two case studies are offered in support of this argument. An account of the eruption of a punk scene in the provincial town of Drogheda in Ireland in the early 1980s is followed by discussion of the specific way punk engaged young women, a case study based on interviews with Gina Birch, founding member of first-generation all-female punk band the Raincoats. I conclude by recasting the legacy of punk as a tradition of revolutionary inheritance.
Title: The afterlife of punk: Evental sites of punk 771
Description:
Building on the argument of my previous article ‘Autonomy and agency: The event of punk 77’, this article defends the continuing political relevance of punk.
Rejecting the dominant story that punk was a utopian, short-lived revolution, over before it had a chance to effect any social change, I argue that punk survives through people who, radicalized by its vision of cultural agency, motivate revolutionary ‘ways of being’ committed to realizing and transmitting that vision to others.
The subjects of 77 are heir to a revolutionary tradition, choosing to ‘keep’ punk ‘alive’ through fidelity to its inaugural event; a fidelity that involves renewed acknowledgement of the ‘subversive’ dimension of the event’s original ‘epochal rupture’.
Two case studies are offered in support of this argument.
An account of the eruption of a punk scene in the provincial town of Drogheda in Ireland in the early 1980s is followed by discussion of the specific way punk engaged young women, a case study based on interviews with Gina Birch, founding member of first-generation all-female punk band the Raincoats.
I conclude by recasting the legacy of punk as a tradition of revolutionary inheritance.
Related Results
Musical protagonism: Beyond participation in punk and post-punk
Musical protagonism: Beyond participation in punk and post-punk
Abstract
This article applies the notion of participation in artworks to the phenomenon of punk and post-punk. Participation has been championed as a means of descri...
Punk is punk but by no means punk: Definition, genre evasion and the quest for an authentic voice in contemporary Russia
Punk is punk but by no means punk: Definition, genre evasion and the quest for an authentic voice in contemporary Russia
At a recent London seminar on punk in post-socialist Eastern Europe, Penny Rimbaud made an unexpected twist to definitions, stating simply that punk ‘isn’t’. He posits punk as the ...
Rebelling in different ways: Older punk women, employment and ‘being/doing’ punk
Rebelling in different ways: Older punk women, employment and ‘being/doing’ punk
How do older women negotiate employment and the workplace alongside being and ‘doing’ punk? This article takes this question as its focus, exploring three key areas that a sample o...
Heritage at sea: proposals for the better protection of British archaeological sites underwater
Heritage at sea: proposals for the better protection of British archaeological sites underwater
The protection of archaeological sites on land and underwaterArchaeological sites underwater in the UK are in urgent need of better protection. The present legislation protects onl...
‘We are fireworks’: Anarcho-punk, positive punk and democratic individuality
‘We are fireworks’: Anarcho-punk, positive punk and democratic individuality
This article explores the tensions within and around anarcho-punk concerning individuality and individualism by drawing on George Kateb’s discussion of the normative ideal of ‘demo...
Putting the ‘punk’ back into pop-punk: Analysing presentations of deviance in pop-punk music
Putting the ‘punk’ back into pop-punk: Analysing presentations of deviance in pop-punk music
Writing on pop-punk, the melodic branch of punk that rose to fame in the mid-to-late-1990s, usually centres on the pop aspect of the genre: its popularity, polished sound and comme...
Making sense of punk in Cuba/making sense of Cuba through punk
Making sense of punk in Cuba/making sense of Cuba through punk
Abstract
Rock music in its broadest definition, though still potentially problematic, has grown exponentially in contemporary Cuba, particularly since the economic a...
Punk – but not as we know it: Punk in post-socialist space
Punk – but not as we know it: Punk in post-socialist space
In this introductory article, the rationale for considering punk in a particular spatial and temporal setting (post-socialist societies) is outlined. It is argued that such an ente...