Javascript must be enabled to continue!
Old Smyrna: Fourth-Century Black Glaze
View through CrossRef
The classical Black Glaze pottery is a reddish ware distinguished by a uniform, lustrous black ‘glaze’—to use the term improperly—and fairly closely standardized in its forms. The main centre of production of this ware was Athens; and at the commencement of the excavations at Smyrna we supposed that the pottery of this class in the classical levels was Attic import. But it soon became clear that the bulk of the black glaze ware in the fourth-century levels (as opposed to that of the fifth century) was not Attic. It is very good imitation of Attic, so good as to be at times indistinguishable; but when the material is set side by side with Attic ware of the same period, differences become manifest. The biscuit is less consistent in colour, too frequently pink near the edges of the break and grey in the core; and not infrequently the glaze is a warm sigillata red. The ring feet tend perhaps to be heavier and the bases less delicately painted than the Attic. The favourite type of bowl with a reserved stripe on the outer wall (Figs. 4–5) cannot be matched in Athens, while conversely the ordinary fourth-century kotyle with cyma profile is not present at Smyrna; and the salt-cellars at Smyrna seem to diverge from their Attic counterparts.
Title: Old Smyrna: Fourth-Century Black Glaze
Description:
The classical Black Glaze pottery is a reddish ware distinguished by a uniform, lustrous black ‘glaze’—to use the term improperly—and fairly closely standardized in its forms.
The main centre of production of this ware was Athens; and at the commencement of the excavations at Smyrna we supposed that the pottery of this class in the classical levels was Attic import.
But it soon became clear that the bulk of the black glaze ware in the fourth-century levels (as opposed to that of the fifth century) was not Attic.
It is very good imitation of Attic, so good as to be at times indistinguishable; but when the material is set side by side with Attic ware of the same period, differences become manifest.
The biscuit is less consistent in colour, too frequently pink near the edges of the break and grey in the core; and not infrequently the glaze is a warm sigillata red.
The ring feet tend perhaps to be heavier and the bases less delicately painted than the Attic.
The favourite type of bowl with a reserved stripe on the outer wall (Figs.
4–5) cannot be matched in Athens, while conversely the ordinary fourth-century kotyle with cyma profile is not present at Smyrna; and the salt-cellars at Smyrna seem to diverge from their Attic counterparts.
Related Results
The Rise of Modern Smyrna
The Rise of Modern Smyrna
The sharp contrast which is apparent to-day between the fortunes of Smyrna and of her sister ‘Churches of Asia’ has long been brought into connection with the prophecies contained ...
Noordnederlandse majolica: kast opruimen
Noordnederlandse majolica: kast opruimen
AbstractThis article has been prompted by two recent works on the subject, the new and greatly expanded version published in 1981 of Nederlandse majolica by Dingeman Korf, a pionee...
Old Smyrna: the Attic pottery
Old Smyrna: the Attic pottery
The earliest fine Attic pottery (excluding scraps of Geometric ware) found at the site of Old Smyrna was made in the first quarter of the sixth century (see no. 2 in the Catalogue ...
Heraldry of the Rhodian Knights, formerly in Smyrna Castle
Heraldry of the Rhodian Knights, formerly in Smyrna Castle
The two white marble slabs shewn below (Figs. 2, 3), originally in the castle of S. Peter at Smyrna, are now built into the circular court of the prison, high up, facing the entran...
Dionysos at Smyrna
Dionysos at Smyrna
The σύνοδος of the μύσται and τεχνῖται of Dionysos Breiseus at Smyrna has long been known to students from several series of inscriptions. These, although defective in themselves, ...
Black skin as costume in Black Panther
Black skin as costume in Black Panther
As a costume, textile and surface adornment practitioner my research focuses on how skin contributes to the reading of a costume. Black Panther’s (2018) Oscar winning costume by Ru...
Old Smyrna: the Corinthian pottery
Old Smyrna: the Corinthian pottery
The following catalogue is divided into groups according to stratification. Brief descriptions of each piece and reference to similar vases from other sites are given in the catalo...
Old Smyrna: The Clazomenian Sarcophagi
Old Smyrna: The Clazomenian Sarcophagi
During the campaigns at Old Smyrna in 1948–51 several Clazomenian sarcophagi came to light. The directors of the excavations, Professors E. Akurgal and J. M. Cook, kindly asked me ...