Javascript must be enabled to continue!
Old Smyrna: the Attic pottery
View through CrossRef
The earliest fine Attic pottery (excluding scraps of Geometric ware) found at the site of Old Smyrna was made in the first quarter of the sixth century (see no. 2 in the Catalogue below), although it is not until the second quarter that it appears on the site in any appreciable volume. One of the earliest, and incidentally most complete vases among otherwise very fragmentary material, is a lebes gamikos (no. 1) from the workshop of Sophilos, and it is accompanied by near-contempory lekanai by known painters. From this time on into the first decade of the fifth century fragments of almost every known variety of Attic cup are found, some of the highest quality, and at the end of this period skyphoi and lekythoi also appear while larger vases are conspicuously few. In the first quarter of the fifth century there is a marked falling off in the import of Attic pottery and it is noteworthy that no vases later than the first decade of that century were found in the main excavated area of the sixth-century houses at the north end of the site, and only isolated fragments from Trench C to the West. The possible historical significance of this is pointed out elsewhere by Mr. Cook. By the middle of the fifth century import is resumed on a small scale, but it is of high quality, including as it does a volute crater by the Niobid Painter (no. 118). The volume increases to the beginning of the fourth century, dying away again by the middle of it, and in this period fine black pottery, some of it with impressed decoration, appears beside the figured vases. The Attic black pottery of the fourth century is intimately associated with its numerous Ionic imitations and the presence of some of the commoner shapes is noted in the publication of the Ionic ware in a later volume of this Annual, to which the reader is referred.
Title: Old Smyrna: the Attic pottery
Description:
The earliest fine Attic pottery (excluding scraps of Geometric ware) found at the site of Old Smyrna was made in the first quarter of the sixth century (see no.
2 in the Catalogue below), although it is not until the second quarter that it appears on the site in any appreciable volume.
One of the earliest, and incidentally most complete vases among otherwise very fragmentary material, is a lebes gamikos (no.
1) from the workshop of Sophilos, and it is accompanied by near-contempory lekanai by known painters.
From this time on into the first decade of the fifth century fragments of almost every known variety of Attic cup are found, some of the highest quality, and at the end of this period skyphoi and lekythoi also appear while larger vases are conspicuously few.
In the first quarter of the fifth century there is a marked falling off in the import of Attic pottery and it is noteworthy that no vases later than the first decade of that century were found in the main excavated area of the sixth-century houses at the north end of the site, and only isolated fragments from Trench C to the West.
The possible historical significance of this is pointed out elsewhere by Mr.
Cook.
By the middle of the fifth century import is resumed on a small scale, but it is of high quality, including as it does a volute crater by the Niobid Painter (no.
118).
The volume increases to the beginning of the fourth century, dying away again by the middle of it, and in this period fine black pottery, some of it with impressed decoration, appears beside the figured vases.
The Attic black pottery of the fourth century is intimately associated with its numerous Ionic imitations and the presence of some of the commoner shapes is noted in the publication of the Ionic ware in a later volume of this Annual, to which the reader is referred.
Related Results
Old Smyrna: Fourth-Century Black Glaze
Old Smyrna: Fourth-Century Black Glaze
The classical Black Glaze pottery is a reddish ware distinguished by a uniform, lustrous black ‘glaze’—to use the term improperly—and fairly closely standardized in its forms. The ...
PENDAMPINGAN DAN PEMBINAAN ANALIS PASAR IKM GERABAH/ KERAMIK DI DESA MELIKAN KECAMATAN WEDI KABUPATEN KLATEN
PENDAMPINGAN DAN PEMBINAAN ANALIS PASAR IKM GERABAH/ KERAMIK DI DESA MELIKAN KECAMATAN WEDI KABUPATEN KLATEN
Abstract
The marketing of pottery is getting better because the successors of these SMEs are no longer stuttering technology, they have made sales through various social medi...
Designing Technique Transfer of Dan Kwian Pottery Products
Designing Technique Transfer of Dan Kwian Pottery Products
The development of Dan Kwian pottery products is a research that uses participatory action research methodology and qualitative research method. By selecting a specific sampling in...
Source of Pottery Unearthed in Qujialing Culture Period in the Middle Reaches of Hanshui, Yangtze River Basin of China
Source of Pottery Unearthed in Qujialing Culture Period in the Middle Reaches of Hanshui, Yangtze River Basin of China
Abstract
The Yangtze River basin is a cradle of Chinese civilization, with Hanshui Rvier playing a key role in its development. The middle reaches of the Hanshui River are ...
CHURU-KOHO POTTERY OF LAM DONG PROVINCE IN RELATION TO CHAM POTTERY
CHURU-KOHO POTTERY OF LAM DONG PROVINCE IN RELATION TO CHAM POTTERY
This article examines Churu-Koho pottery in relation to Cham pottery in Central Vietnam and the Central Highlands. Research shows that Churu-Koho pottery (Lam Dong Province) is rel...
Endoscopic Management of Limited Attic Cholesteatoma
Endoscopic Management of Limited Attic Cholesteatoma
AbstractObjectives: Microscopic postauricular tympanomastoidectomy provides a limited exposure to the attic, especially anteriorly. In contrast, the endoscope offers wide transcana...
Combining quantitative analysis with an elliptic Fourier descriptor: A study of pottery from the Gansu-Zhanqi site based on 3D scanning and computer technology
Combining quantitative analysis with an elliptic Fourier descriptor: A study of pottery from the Gansu-Zhanqi site based on 3D scanning and computer technology
Abstract
Pottery is an important material in archaeological studies, and the accurate classification of pottery shapes largely depends on the experience and knowledge of ar...

