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Robert C. Kraut's Japan : cataloguing and contextualizing post World War Two photographic albums of Japan and the South Pacific

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This applied thesis examines three albums created by US Army Air Force personnel Robert C. Kraut from 1945-46. The albums were donated by Toronto based artist Max Dean to the Art Gallery of Ontario (AGO), and serve as a case study for the process of cataloguing and contextualizing albums for future researchers and museum staff. This paper includes a literature survey examining care and handling, social and historical evolutions, and cataloguing practices related to both photographic albums and scrapbooks. An historical analysis of the photographic album as a medium, vernacular photography and the donation process of the albums into the AGO's collection follows. A detailed analysis of the narrative, material orientation, annotation, layout and materiality qualities for each album is included. A cataloguing methodology that both accounts for the albums’ unique layouts and holds to the established conventions for cataloguing albums at the AGO is discussed and described in detail.
Ryerson University Library and Archives
Title: Robert C. Kraut's Japan : cataloguing and contextualizing post World War Two photographic albums of Japan and the South Pacific
Description:
This applied thesis examines three albums created by US Army Air Force personnel Robert C.
Kraut from 1945-46.
The albums were donated by Toronto based artist Max Dean to the Art Gallery of Ontario (AGO), and serve as a case study for the process of cataloguing and contextualizing albums for future researchers and museum staff.
This paper includes a literature survey examining care and handling, social and historical evolutions, and cataloguing practices related to both photographic albums and scrapbooks.
An historical analysis of the photographic album as a medium, vernacular photography and the donation process of the albums into the AGO's collection follows.
A detailed analysis of the narrative, material orientation, annotation, layout and materiality qualities for each album is included.
A cataloguing methodology that both accounts for the albums’ unique layouts and holds to the established conventions for cataloguing albums at the AGO is discussed and described in detail.

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