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Il Christo della Moneta
View through Harvard Museums
Department of Prints
John Witt Randall bequest to his sister.
Belinda Lull Randall sister of John Witt Randall gift to Harvard University 1892.
Harvard Art Museums/Fogg Museum Gift of Belinda L. Randall from the collection of John Witt Randall
Related Results
As of Domitian, Rome
As of Domitian, Rome
Obv.: Laureate bust of Domitian r. with aegis; around, IMP CAES DOMITIAN AVG GERM COS X.
Rev.: Moneta standing l. with scales and cornucopiae; around, MONETA AVGVST; in field, S -...
The Gates, Project for Central Park, New York City
The Gates, Project for Central Park, New York City
Drawing in two parts: graphite charcoal pastel wax crayon enamel hand drawn technical data photograph fabric and tape on paper...
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], from Della Magnificenza e d'Architettura de'Romani (On the Grandeur and the Architecture of the Romans by Gio. Batt
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], from Della Magnificenza e d'Architettura de'Romani (On the Grandeur and the Architecture of the Romans by Gio. Batt
Etching, Della Magnificenza e d'Architettura de'Romani...
Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the façade of the Milesi Palac
Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the façade of the Milesi Palac
Etching and engraving, Compositions after the lost frescoes by Polidoro da Caravaggio on the facade of the Milesi Palace in Via della Maschera d'Oro Rome...
Rear view of the Figure C on the following plate, bearing the inscription in which Marcus Arelius and Lucius Verus state that the monument commemorates the apotheosis of their father, Antonius Pius...[showing the adjacent side], plate 32 from "Il Campo Ma
Rear view of the Figure C on the following plate, bearing the inscription in which Marcus Arelius and Lucius Verus state that the monument commemorates the apotheosis of their father, Antonius Pius...[showing the adjacent side], plate 32 from "Il Campo Ma
Etching, Il Campo Marzio dell' Antica Roma Opera di G.B. Piranesi socio della reale società degli antiquari di Londra...
Recent Results
25 Receptive Ecumenism and Catholic Learning—an Orthodox Perspective
25 Receptive Ecumenism and Catholic Learning—an Orthodox Perspective
Abstract
This chapter presents an Orthodox response to the suggestions by Paul McPartlan and Joseph Famerée as to what Catholics might learn from the Orthodox. It ar...
Life Extempore: Trials of Ruination in the Twilight Zone of Soviet Industry
Life Extempore: Trials of Ruination in the Twilight Zone of Soviet Industry
This essay attends to the temporal and material relations through which the former Soviet proletariat and former factory directors pull the remnants of the socialist factory into r...
Color Contrast and Color Preference
Color Contrast and Color Preference
This article attempts to put the science of color preference on a firm theoretical footing. A model of color contrast, in which the perceived color of an area is influenced by the ...
Warding Off the Ghosts of Race in the Historiography of Philosophy
Warding Off the Ghosts of Race in the Historiography of Philosophy
Abstract
This article contends that an adequate investigation of the role and effects of race in the history of philosophy requires an elucidation of the ways in whi...
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