Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Effects of vocal tract on aerodynamics of hemilarynx

View through CrossRef
Pressure-flow relationship was examined in the excised canine and human larynges with and without vocal tract. Canine and human larynges were prepared and cut in the midsaggital plane from the top to about 10 mm below the vocal folds. The right half was removed and replaced with a Plexiglas plate with imbedded pressure taps along the medial surface. The thyroid cartilage was glued to the plate and the arytenoid was pressed against the plate with a two-pronged probe for adduction control. The vocal tract was simulated with a 15-cm plastic tube of 25-mm diameter. Simultaneous recordings were made of the glottal pressure, mean subglottal pressure, and average airflow at various levels of adduction. Glottal adduction was controlled mechanically by inserting shims of various sizes. Oscillation was generated by the flow of heated and humidified air through the glottis. Preliminary data indicate that the pressure-flow relationships are similar to those of full larynx and are almost linear. The addition of the vocal tract increased the glottal resistance by moving these pressure-flow lines to the lower flow and higher-pressure region. The human larynx appears to phonate easier on the bench and has lower phonation threshold pressure. [Work supported by NIDCD grant DC03566.]
Title: Effects of vocal tract on aerodynamics of hemilarynx
Description:
Pressure-flow relationship was examined in the excised canine and human larynges with and without vocal tract.
Canine and human larynges were prepared and cut in the midsaggital plane from the top to about 10 mm below the vocal folds.
The right half was removed and replaced with a Plexiglas plate with imbedded pressure taps along the medial surface.
The thyroid cartilage was glued to the plate and the arytenoid was pressed against the plate with a two-pronged probe for adduction control.
The vocal tract was simulated with a 15-cm plastic tube of 25-mm diameter.
Simultaneous recordings were made of the glottal pressure, mean subglottal pressure, and average airflow at various levels of adduction.
Glottal adduction was controlled mechanically by inserting shims of various sizes.
Oscillation was generated by the flow of heated and humidified air through the glottis.
Preliminary data indicate that the pressure-flow relationships are similar to those of full larynx and are almost linear.
The addition of the vocal tract increased the glottal resistance by moving these pressure-flow lines to the lower flow and higher-pressure region.
The human larynx appears to phonate easier on the bench and has lower phonation threshold pressure.
[Work supported by NIDCD grant DC03566.
].

Related Results

Aerodynamics in two-dimensional vocal tract models
Aerodynamics in two-dimensional vocal tract models
A numerically tractable formulation of the Navier-Stokes equations, suitable for studying fluid flow in the vocal tract during speech production and for doing more natural speech s...
Comparison of the Aerodynamics of Vocal Fry and Modal Register Phonations
Comparison of the Aerodynamics of Vocal Fry and Modal Register Phonations
Airflow and subglottic air-pressure recordings were made as ten adult males sustained phonations in the vocal fry and in the low modal registers. Subglottic pressures were obtained...
Phonation threshold pressure: A missing link in glottal aerodynamics
Phonation threshold pressure: A missing link in glottal aerodynamics
Phonation threshold pressure has previously been defined as the minimum lung pressure required to initiate phonation. By modeling the dependence of this pressure on fundamental fre...
Phonation threshold pressure: A missing link in glottal aerodynamics.
Phonation threshold pressure: A missing link in glottal aerodynamics.
Phonation threshold pressure has previously been defined as the minimum lung pressure required to initiate phonation. By modeling the dependence of this pressure on fundamental fre...
‘Veluti in speculum’: The twilight of the castrato
‘Veluti in speculum’: The twilight of the castrato
The final performances of castrato Giovanni Battista Velluti in London in the late 1820s constitute a particularly rich vantage point from which to explore why the castrato was eve...
Acoustical Methods in Supersonic Aerodynamics
Acoustical Methods in Supersonic Aerodynamics
The paper illustrates certain techniques common to acoustics and supersonic aerodynamics. The basic equations describing hydrodynamical phenomena taking place in a supersonic, invi...

Back to Top