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Anthropocene, literature, and econarratology: An interview with Marco Caracciolo
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Abstract
Marco Caracciolo is Associate Professor of English and Literary Theory at Ghent University in Belgium, where he led the ERC Starting Grant project “Narrating the Mesh.” (2017–2022). His work explores the phenomenology of narrative, or the structure of the experiences afforded by literary fiction and other narrative media. He is the author of several books including the most recently Slow Narrative and Nonhuman Materialities (2022) and Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures (2022). In September 2021, Dr. Wang Hongri interviewed Caracciolo on Anthropocene literature and econarratology via e-mail. In this interview, Caracciolo sheds light on the use of such concepts as the Anthropocene, climate crisis and climate change fiction in literary studies. Further, he elaborates on the tardiness of narratological interests in environmental issues and narrative’s formal affordance to address the Anthropocene condition. After commenting on the relationship between New Formalism and the contextualist vein of contemporary narrative theory, Caracciolo identifies four future directions for the study of Anthropocene literature and econarratology.
Title: Anthropocene, literature, and econarratology: An interview with Marco Caracciolo
Description:
Abstract
Marco Caracciolo is Associate Professor of English and Literary Theory at Ghent University in Belgium, where he led the ERC Starting Grant project “Narrating the Mesh.
” (2017–2022).
His work explores the phenomenology of narrative, or the structure of the experiences afforded by literary fiction and other narrative media.
He is the author of several books including the most recently Slow Narrative and Nonhuman Materialities (2022) and Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures (2022).
In September 2021, Dr.
Wang Hongri interviewed Caracciolo on Anthropocene literature and econarratology via e-mail.
In this interview, Caracciolo sheds light on the use of such concepts as the Anthropocene, climate crisis and climate change fiction in literary studies.
Further, he elaborates on the tardiness of narratological interests in environmental issues and narrative’s formal affordance to address the Anthropocene condition.
After commenting on the relationship between New Formalism and the contextualist vein of contemporary narrative theory, Caracciolo identifies four future directions for the study of Anthropocene literature and econarratology.
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