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Coming to painting
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Abstract
This article is a response to Sunil Manghani’s article ‘Painting as commitment’, and its opening discourse, allying ‘commitment’ in painting to Sartre’s notion of a committed writer. In the light of Manghani’s reference to the writing of Hélène Cixous, this article seeks to draw comparisons between Hélène Cixous’s meditations on and approaches to writing with a personal account of approaching painting. In particular, this article will look at the issue of painting from personal experience and the intimate as material for making work.
Title: Coming to painting
Description:
Abstract
This article is a response to Sunil Manghani’s article ‘Painting as commitment’, and its opening discourse, allying ‘commitment’ in painting to Sartre’s notion of a committed writer.
In the light of Manghani’s reference to the writing of Hélène Cixous, this article seeks to draw comparisons between Hélène Cixous’s meditations on and approaches to writing with a personal account of approaching painting.
In particular, this article will look at the issue of painting from personal experience and the intimate as material for making work.
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