Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Courtier with Attendants in a Garden, folio from an album

View through Harvard Museums
This painting depicts three youths in a garden. The aristocratic central figure, wearing an ornamented robe and holding a wine cup, leans against a blossoming tree. One of his attendants, kneeling on the left, offers him flowers and a golden tray, while the other carries his quiver of arrows. The languid and lyrical scene is rendered with delicate brushwork and sensitivity to detail evident in the figures’ communicative gestures and gazes and in the variety of naturalistic flowering plants. A long-necked ceramic vase on a golden stand bears traces of an inscription added at a later time and now illegible. The setting of this painting, with its patterned wall, flowering tree, meandering stream, and blooming ground plants, is typical of garden scenes produced in Uzbek ateliers. The young men’s facial features and squat turbans further support a Shaybanid Central Asian attribution. The painting is currently mounted as an album page. Examined under a microscope, its paper support is shown to be very thin and to have many creases and cracks, possibly because the folio on which the painting was executed was removed from its original context and split into two sheets. At the upper right is a reversed seal-impression, transferred from a facing album page.
Department of Islamic & Later Indian Art Stanford and Norma Jean Calderwood Belmont MA (by 1974-2002) gift; to Harvard Art Museums 2002. Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Courtier with Attendants in a Garden, folio from an album
Description:
This painting depicts three youths in a garden.
The aristocratic central figure, wearing an ornamented robe and holding a wine cup, leans against a blossoming tree.
One of his attendants, kneeling on the left, offers him flowers and a golden tray, while the other carries his quiver of arrows.
The languid and lyrical scene is rendered with delicate brushwork and sensitivity to detail evident in the figures’ communicative gestures and gazes and in the variety of naturalistic flowering plants.
A long-necked ceramic vase on a golden stand bears traces of an inscription added at a later time and now illegible.
The setting of this painting, with its patterned wall, flowering tree, meandering stream, and blooming ground plants, is typical of garden scenes produced in Uzbek ateliers.
The young men’s facial features and squat turbans further support a Shaybanid Central Asian attribution.
The painting is currently mounted as an album page.
Examined under a microscope, its paper support is shown to be very thin and to have many creases and cracks, possibly because the folio on which the painting was executed was removed from its original context and split into two sheets.
At the upper right is a reversed seal-impression, transferred from a facing album page.

Related Results

Courtier Raja Anup Rai Intercepting a Lion Attack, with Mughal Emperor Jahangir and Prince Khurram, drawing (verso); Calligraphy (recto)
Courtier Raja Anup Rai Intercepting a Lion Attack, with Mughal Emperor Jahangir and Prince Khurram, drawing (verso); Calligraphy (recto)
The drawing depicts the Rajput nobleman and Mughal courtier Anup Rai, being attacked by a lion during a royal hunt. He is shown attempting to push the lion’s face away from his. An...
Afrasiyab and Siyavush Embrace (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
Afrasiyab and Siyavush Embrace (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
In this part of Firdawsi’s epic, the Iranian king Kay Kavus decided to wage war against Turan (Turkestan), even though his son, prince Siyavush, had signed a treaty with the Turani...
Old Man with Cane in Rocky Landscape (drawing, recto; calligraphy, verso), folio from an album
Old Man with Cane in Rocky Landscape (drawing, recto; calligraphy, verso), folio from an album
Set between lines of Persian poetry in black nasta? liq, the drawing on the recto of this album folio is framed by multiple rulings and a stenciled margin of exuberant lotus palmet...
Expulsion. Moon and Firelight
Expulsion. Moon and Firelight
“The whole landscape, which, seen by a favourable light, and in a genial temperature, had been found so lovely, appeared now like some pictured allegory of life, in which objects w...
The Beloved Arrives at Midnight (painting, recto; text, verso), folio 54 from a manuscript of the Divan (Collection of Works) of Anvari
The Beloved Arrives at Midnight (painting, recto; text, verso), folio 54 from a manuscript of the Divan (Collection of Works) of Anvari
The recto side of the folio features two columns of Persian text written in black ink and nasta’liq script. The columns are interrupted by a painting depicting a male figure in the...
Rao Madho Singh on Horseback with Three Attendants on Foot (fragment)
Rao Madho Singh on Horseback with Three Attendants on Foot (fragment)
This fragmentary drawing features Kota ruler Rao Madho Singh (r. 1625-1648) mounted on a galloping, caparisoned horse. Surrounding Madho Singh are three attendants on foot. One car...
Maharao Ram Singh II of Kota with Attendants, G.B. Malleson, and another Englishman
Maharao Ram Singh II of Kota with Attendants, G.B. Malleson, and another Englishman
Under a large canopy is Maharao Ram Singh II of Kota (r. 1828-1866), wearing a bright yellow robe (jama) and adorned with a halo. He leans against a large pink cylindrical pillow w...
Post-Marijuana (Dama zhi hou), Written in Time Script
Post-Marijuana (Dama zhi hou), Written in Time Script
This large, horizontally oriented, rectangular album leaf is inscribed with twenty columns of text, the columns with varying numbers of characters and thus of varying lengths. The ...

Back to Top