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Swan Maidens: Captivity and Sexuality
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The ancient Indian tale of Urvaśī, the earliest swan tale known to exist, underscores and highlights themes of female captivity, human shape-shifting in and out of animal forms, matrilocal versus patrilocal marriage, sexuality, fertility and the ability to grant immortality. This ancient folk-tale motif of the swan is known around the world in various forms. Its themes are repeated in two Middle Eastern tales, and continue in later, somewhat different versions of East Asian tales that reconciled the swan form into heavenly women who wear feather robes and perform magical dances. In northern Europe, the swan was reimagined in Tchaikovsky’s misleading Swan Lake.
Title: Swan Maidens: Captivity and Sexuality
Description:
The ancient Indian tale of Urvaśī, the earliest swan tale known to exist, underscores and highlights themes of female captivity, human shape-shifting in and out of animal forms, matrilocal versus patrilocal marriage, sexuality, fertility and the ability to grant immortality.
This ancient folk-tale motif of the swan is known around the world in various forms.
Its themes are repeated in two Middle Eastern tales, and continue in later, somewhat different versions of East Asian tales that reconciled the swan form into heavenly women who wear feather robes and perform magical dances.
In northern Europe, the swan was reimagined in Tchaikovsky’s misleading Swan Lake.
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