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Piran Attacks the Iranians at Night (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi

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Following successful attacks on Turan by the Iranians, Afrasiyab appointed Piran to lead the Turanian army and defeat the invaders. Learning that the Iranians had let down their guard and were carousing drunkenly, Piran rallied thirty thousand soldiers and attacked their encampment in the hours of darkness, soundly defeating them. Although this painting shows the attack, its scenes of slaughter are subordinated to the beauty of the floral landscape and embellished tents and the rhythmic placement of the figures with their swinging scimitars. Sharing the restraint and delicacy of many Safavid paintings, it does not fully convey the bloody tumult and chaos that Firdawsi describes.
Department of Islamic & Later Indian Art [Christies London 17 October 1995 lot no. 79]. [Mansour Gallery London before 1998] sold; to Stanford and Norma Jean Calderwood Belmont MA (by 1998-2002) gift; to Harvard Art Museums 2002. Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Piran Attacks the Iranians at Night (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi
Description:
Following successful attacks on Turan by the Iranians, Afrasiyab appointed Piran to lead the Turanian army and defeat the invaders.
Learning that the Iranians had let down their guard and were carousing drunkenly, Piran rallied thirty thousand soldiers and attacked their encampment in the hours of darkness, soundly defeating them.
Although this painting shows the attack, its scenes of slaughter are subordinated to the beauty of the floral landscape and embellished tents and the rhythmic placement of the figures with their swinging scimitars.
Sharing the restraint and delicacy of many Safavid paintings, it does not fully convey the bloody tumult and chaos that Firdawsi describes.

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