Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Marimbo Chimes And The Wizard’s Monster Band: Music In Theatrical Magic Shows
View through CrossRef
ABSTRACT
Magic shows were one of many illusory spectacles popular in nineteenth-century Europe and North America, co-existing with melodrama, pantomime, and magic lantern displays. Yet there is little scholarship in any field documenting the function and significance of music in theatrical conjuring. This essay introduces a new field of research by surveying common practices in historical and modern magic shows. Historical evidence, drawn from broadsides, handbills, programmes, memoirs, reviews, and instructional guides to magic, supports three themes: (1) the relationship between conjuring, musical institutions, and related theatrical entertainments; (2) the phenomenon of magicians doubling as musical performers; and (3) the link between music, magic, and imperialist projects. Filmed performances of magic and empirical studies on illusion, cross-modal perception, and entrainment suggest a continuity of practice between nineteenth-century conjurers and modern magicians. A scene from the 2006 film The Illusionist links modern film-scoring techniques to musical conventions in nineteenth-century stage magic.
Title: Marimbo Chimes And The Wizard’s Monster Band: Music In Theatrical Magic Shows
Description:
ABSTRACT
Magic shows were one of many illusory spectacles popular in nineteenth-century Europe and North America, co-existing with melodrama, pantomime, and magic lantern displays.
Yet there is little scholarship in any field documenting the function and significance of music in theatrical conjuring.
This essay introduces a new field of research by surveying common practices in historical and modern magic shows.
Historical evidence, drawn from broadsides, handbills, programmes, memoirs, reviews, and instructional guides to magic, supports three themes: (1) the relationship between conjuring, musical institutions, and related theatrical entertainments; (2) the phenomenon of magicians doubling as musical performers; and (3) the link between music, magic, and imperialist projects.
Filmed performances of magic and empirical studies on illusion, cross-modal perception, and entrainment suggest a continuity of practice between nineteenth-century conjurers and modern magicians.
A scene from the 2006 film The Illusionist links modern film-scoring techniques to musical conventions in nineteenth-century stage magic.
Related Results
Magic graphs
Magic graphs
DE LA TESIS<br/>Si un graf G admet un etiquetament super edge magic, aleshores G es diu que és un graf super edge màgic. La tesis està principalment enfocada a l'estudi del c...
Product of digraphs, (super) edge-magic valences and related problems
Product of digraphs, (super) edge-magic valences and related problems
Discrete Mathematics, and in particular Graph Theory, has gained a lot of popularity during the last 7 decades. Among the many branches in Graph Theory, graph labelings has experim...
Study on the lithology of stone chimes (stone musical instruments in ancient China) and Lingbi stone
Study on the lithology of stone chimes (stone musical instruments in ancient China) and Lingbi stone
The oldest extant musical instruments in the world are stone chimes. This music was created by the ‘eight tones’ that could be produced by these ‘stone’ voices. Although many of th...
Music and Mysticism
Music and Mysticism
The word “mystic” has a common meaning in philosophical traditions like neo-Platonism and religions (Hindu, Jewish, Christian, and Muslim)—namely the elevation of a human being to ...
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
Owner Bound Music: A study of popular sheet music selling and music making in the New Zealand home 1840-1940
<p>From 1840, when New Zealand became part of the British Empire, until 1940 when the nation celebrated its Centennial, the piano was the most dominant instrument in domestic...
Spin-wave band gaps created by rotating square rods in triangular lattice magnonic crystals
Spin-wave band gaps created by rotating square rods in triangular lattice magnonic crystals
Recently, magnonic crystals which are the magnetic counterparts of photonic crystals or phononic crystals are becoming a hot area of research. In this paper, band structure of two-...
On the Phenomenological Reality of Monsters
On the Phenomenological Reality of Monsters
This article suggests that monster studies can benefit from a phenomenological approach. Namely, phenomenology provides a method for scholars to examine monster narratives as they ...