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John Soane

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In the late 18th century, there were a few paths to becoming an architect: independent study of books, formal architectural education, exploratory travel, and ascent through the building trades. Through a persistent, varied, and self-made career, Soane accomplished all of these. The youngest of five and the son of a bricklayer from Goring-on-Thames, John “Soan” was born on 10 September 1753. Following the death of his father, Soane entered the office of George Dance the Younger at the age of fifteen and he later served as an assistant to Henry Holland from 1772 to 1778. Educated at the Royal Academy and an early recipient of a travel grant that allowed him to undertake a Grand Tour, Soane’s personal and professional life surged in the 1780s with the foundation of an architectural practice, his marriage to Eliza Smith, the purchase of his first properties, and appointment as Architect of the Bank of England. Looking to obscure his humble beginnings within the competitive and class-driven world of London, he added the “e” to the end of this name. Eliza’s uncle, George Wyatt (no relation to the architect), left a considerable inheritance that fueled Soane’s bibliomania, architectural and artistic collections, and the creation of offices and residences that were reflective of his architectural ambitions: Pitzhanger Manor and later, the luminous and labyrinthian house-museum along the north side of Lincoln’s Inn Fields. Navigating changing regents and tastes, Soane weathered public critiques of his work and even lawsuits. His significant built works include the light-filled Dulwich Picture Gallery, elements of the Royal Hospital Chelsea, public projects as an architect of the Office of Works, and an array of churches, urban residences, and country houses. Dedicated to the professionalism of architectural practice, Soane’s prolific career included numerous appointments and accolades: Fellow of the Society of Antiquaries, Fellow of the Royal Society, Royal Academician and Professor of Architecture, in which capacity he greatly enriched the illustrated architectural lecture, Gold Medal from the “Architects of England” (many of them associated with the nascent Institute of British Architects, later RIBA), and in 1831 he was knighted by King William IV. As an architect, Soane continues to inspire designers through his writings, educational legacy, and built works that straddle the realms of Georgian neoclassicism, neogothic, picturesque, and planar modernism. Designed in 1924 by Sir Giles Gilbert Scott, a trustee of Soane’s Museum, England’s famous red telephone boxes even bear Soane’s architectural fingerprint, the canopy dome mimicking the form of Soane’s family tomb.
Title: John Soane
Description:
In the late 18th century, there were a few paths to becoming an architect: independent study of books, formal architectural education, exploratory travel, and ascent through the building trades.
Through a persistent, varied, and self-made career, Soane accomplished all of these.
The youngest of five and the son of a bricklayer from Goring-on-Thames, John “Soan” was born on 10 September 1753.
Following the death of his father, Soane entered the office of George Dance the Younger at the age of fifteen and he later served as an assistant to Henry Holland from 1772 to 1778.
Educated at the Royal Academy and an early recipient of a travel grant that allowed him to undertake a Grand Tour, Soane’s personal and professional life surged in the 1780s with the foundation of an architectural practice, his marriage to Eliza Smith, the purchase of his first properties, and appointment as Architect of the Bank of England.
Looking to obscure his humble beginnings within the competitive and class-driven world of London, he added the “e” to the end of this name.
Eliza’s uncle, George Wyatt (no relation to the architect), left a considerable inheritance that fueled Soane’s bibliomania, architectural and artistic collections, and the creation of offices and residences that were reflective of his architectural ambitions: Pitzhanger Manor and later, the luminous and labyrinthian house-museum along the north side of Lincoln’s Inn Fields.
Navigating changing regents and tastes, Soane weathered public critiques of his work and even lawsuits.
His significant built works include the light-filled Dulwich Picture Gallery, elements of the Royal Hospital Chelsea, public projects as an architect of the Office of Works, and an array of churches, urban residences, and country houses.
Dedicated to the professionalism of architectural practice, Soane’s prolific career included numerous appointments and accolades: Fellow of the Society of Antiquaries, Fellow of the Royal Society, Royal Academician and Professor of Architecture, in which capacity he greatly enriched the illustrated architectural lecture, Gold Medal from the “Architects of England” (many of them associated with the nascent Institute of British Architects, later RIBA), and in 1831 he was knighted by King William IV.
As an architect, Soane continues to inspire designers through his writings, educational legacy, and built works that straddle the realms of Georgian neoclassicism, neogothic, picturesque, and planar modernism.
Designed in 1924 by Sir Giles Gilbert Scott, a trustee of Soane’s Museum, England’s famous red telephone boxes even bear Soane’s architectural fingerprint, the canopy dome mimicking the form of Soane’s family tomb.

Related Results

Design Lessons from Sir John Soane
Design Lessons from Sir John Soane
OBJECTIVE: An architect's home is a special place because it gives the architect the opportunity to experiment and develop ideas. Sir John Soane (1753–1837) worked on his home for ...
THE PRIVATE BANKS OF JOHN SOANE
THE PRIVATE BANKS OF JOHN SOANE
Whilst much attention has been paid to Sir John Soane’s public buildings, notably the Bank of England, the growing commercial and financial class in London also provided many oppor...
A Dark Portrait: John Britton’s Denunciation of John Soane
A Dark Portrait: John Britton’s Denunciation of John Soane
ABSTRACTThis article presents hitherto overlooked documents at Vassar College in the United States relating to the character and reputation of the architect John Soane (1753–1837)....
The Serif-Less Letters of John Soane
The Serif-Less Letters of John Soane
This chapter examines the evidence for the architect John Soane as an early pioneer of serif-less lettering in Britain and the progenitor of the sans serif typefaces of the ninetee...
Construir el espacio a través de la colección. La casa de Sir John Soane
Construir el espacio a través de la colección. La casa de Sir John Soane
Esta investigación se centra en las relaciones existentes entre el habitante, la casa y los objetos que contiene, para revelar el papel que adquiere la colección en la construcción...
MYTH, CULT, AND PERFORMANCE: SIR JOHN SOANE'S CAWDOR VASE
MYTH, CULT, AND PERFORMANCE: SIR JOHN SOANE'S CAWDOR VASE
Abstract The Cawdor Vase was purchased by Sir John Soane in 1800, launching the London architect's career as a collector of antiquities. The Apulian red-figure volut...
Freemasonry and Sir John Soane
Freemasonry and Sir John Soane
Soane's activities as a Freemason, in particular the remarkable hall which he designed for the Grand Lodge in London in 1828, are here analyzed in detail for the first time. The si...
Recorrido de arriba hacia abajo: un plano paralelo al del suelo en la arquitectura de Adalberto Libera
Recorrido de arriba hacia abajo: un plano paralelo al del suelo en la arquitectura de Adalberto Libera
La aparición de una segunda línea, por encima de la del horizonte, en los paisajes románticos del pintor Friedrich, modificará el plano del cuadro. Con este nuevo trazo se acotará ...

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