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Musical Aptitude and Cognitive Growth: A Culturally Rooted Assessment Framework Based on Rabindra Sangeet
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This paper proposes a structured framework for assessing musical aptitude in Rabindra Sangeet, the genre
pioneered by Nobel Laureate Rabindranath Tagore, grounded in its cultural, cognitive, and emotional
dimensions. Existing aptitude tests, primarily designed within Western classical paradigms, tend to
inadequately capture the integrated lyrical, melodic, and philosophical richness of this tradition. Drawing on
music cognition theories, Gordon’s Music Learning Theory, and pedagogical practices from institutions such
as Visva-Bharati and Rabindra Bharati University, the study outlines a developmentally appropriate
assessment model for children, adolescents, and adults. The framework combines oral, written, and
performance-based modules, each evaluated through a flexible scoring rubric that highlights both technical
skill and expressive understanding. Key challenges, including standardization, cultural accessibility for non-
Bengali learners, and the need for empirical validation are addressed. This discussion also opens up the
avenues for the integration of music therapy and education. By offering a holistic and context-sensitive
approach, this study contributes to the broader effort of decolonizing music assessment in Indian contexts.
The Brooklyn Research and Publishing Institute
Title: Musical Aptitude and Cognitive Growth: A Culturally Rooted Assessment Framework Based on Rabindra Sangeet
Description:
This paper proposes a structured framework for assessing musical aptitude in Rabindra Sangeet, the genre
pioneered by Nobel Laureate Rabindranath Tagore, grounded in its cultural, cognitive, and emotional
dimensions.
Existing aptitude tests, primarily designed within Western classical paradigms, tend to
inadequately capture the integrated lyrical, melodic, and philosophical richness of this tradition.
Drawing on
music cognition theories, Gordon’s Music Learning Theory, and pedagogical practices from institutions such
as Visva-Bharati and Rabindra Bharati University, the study outlines a developmentally appropriate
assessment model for children, adolescents, and adults.
The framework combines oral, written, and
performance-based modules, each evaluated through a flexible scoring rubric that highlights both technical
skill and expressive understanding.
Key challenges, including standardization, cultural accessibility for non-
Bengali learners, and the need for empirical validation are addressed.
This discussion also opens up the
avenues for the integration of music therapy and education.
By offering a holistic and context-sensitive
approach, this study contributes to the broader effort of decolonizing music assessment in Indian contexts.
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