Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Ukrainian Poetic Sixties: Mykola Kholodnyi’s Creative Individuality
View through CrossRef
The article is devoted to the little-studied Ukrainian poet of the sixties, dissident M. Kholodnyi, his creative style, analysis of motifs, images, and symbols of lyrical heritage, and the phenomenon of creative individuality. Socio-political reflection of Ukrainian tragedies, the role of the artist and his work singled out among the motifs of his poetry. There are images of famous Ukrainian writers who are carriers of the code of national memory and help to shape the national consciousness of future generations. A separate block constitutes his intimate lyric poetry reflecting the various facets of the spiritual and corporeal together with emotions ranging from romantic to deeply sensual. It is noted that among the writers of the 60s generation, his poetry is distinguished by the presence of sharp satire and tragedy in depicting paradoxical and absurd Soviet reality.
Title: Ukrainian Poetic Sixties: Mykola Kholodnyi’s Creative Individuality
Description:
The article is devoted to the little-studied Ukrainian poet of the sixties, dissident M.
Kholodnyi, his creative style, analysis of motifs, images, and symbols of lyrical heritage, and the phenomenon of creative individuality.
Socio-political reflection of Ukrainian tragedies, the role of the artist and his work singled out among the motifs of his poetry.
There are images of famous Ukrainian writers who are carriers of the code of national memory and help to shape the national consciousness of future generations.
A separate block constitutes his intimate lyric poetry reflecting the various facets of the spiritual and corporeal together with emotions ranging from romantic to deeply sensual.
It is noted that among the writers of the 60s generation, his poetry is distinguished by the presence of sharp satire and tragedy in depicting paradoxical and absurd Soviet reality.
Related Results
‘We are fireworks’: Anarcho-punk, positive punk and democratic individuality
‘We are fireworks’: Anarcho-punk, positive punk and democratic individuality
This article explores the tensions within and around anarcho-punk concerning individuality and individualism by drawing on George Kateb’s discussion of the normative ideal of ‘demo...
The “Ukrainian Question” on the Eve of the First World War
The “Ukrainian Question” on the Eve of the First World War
After analysing the current socio-political conditions in Ukraine caused by the war unleashed on February 20, 2014 by the Russian Federation, the author noted that they have common...
The Sixties in the Sixties: Unfulfilled love on the grounds of the agricultural circle
The Sixties in the Sixties: Unfulfilled love on the grounds of the agricultural circle
The focal point of the text is the historical and cultural perspective on the Sixties in Poland. The decade in arts is diagnosed as not isolated from its context, therefore the Six...
The End of the Sixties
The End of the Sixties
The essay considers the sixties as a global irruption of political and cultural revolution, of world-making of various kinds: decolonization, new subjectivities, new forms of daily...
Cultural Mechanisms of Integrating the Ukrainian Cossaсk Elite into the Imperial Nobility
Cultural Mechanisms of Integrating the Ukrainian Cossaсk Elite into the Imperial Nobility
In this article, the author explores the degree of effectiveness of cultural mechanisms implemented in the integration of the Ukrainian Cossack elite into the all-imperial nobility...
Translating Biblical Poetry as Poetry
Translating Biblical Poetry as Poetry
After an introduction into translating biblical poetry as a new communication event in the target culture (and not as a documentation of a source culture event), an analysis is mad...
The concepts “spravedlyvist” and “pravda” in Ukrainian legal texts of the second half of the 16th–the first half of the 17th century)
The concepts “spravedlyvist” and “pravda” in Ukrainian legal texts of the second half of the 16th–the first half of the 17th century)
The paper studies the vocabulary the Ukrainian intellectuals of the second half of the 16th–the early 17th century used to signify a number of moral, ethical, and legal concepts. T...
Review article: I. Anderson, 'This Is Our Music: Free Jazz, the Sixties, and American Culture</i>, S.Saul, <i>Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties', I. Monson, 'Freedom Sounds: Civil Rights Call Out to Jazz and Africa
Review article: I. Anderson, 'This Is Our Music: Free Jazz, the Sixties, and American Culture</i>, S.Saul, <i>Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties', I. Monson, 'Freedom Sounds: Civil Rights Call Out to Jazz and Africa
Iain Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture. Philadelphia: University of Pennsylvania Press, 2007. Scott Saul, Freedom Is, Freedom Ain’t: Jazz an...