Javascript must be enabled to continue!
Rewriting a Contentious Omen
View through CrossRef
Abstract
This paper investigates why Tacitus dates the alleged appearance of the phoenix in Egypt during the reign of the emperor Tiberius to AD 34 in contrast to Pliny the Elder and Dio who date it to AD 36. It argues that the appearance of the phoenix had originally been invented as an omen not so much of the death of Tiberius, but of the succession of Caligula, and that a later source changed the date of this alleged appearance and cast doubt on its validity in order to deprive Caligula of an omen that had seemed to characterize his reign as a time of renewal. Tacitus then followed this source.
Title: Rewriting a Contentious Omen
Description:
Abstract
This paper investigates why Tacitus dates the alleged appearance of the phoenix in Egypt during the reign of the emperor Tiberius to AD 34 in contrast to Pliny the Elder and Dio who date it to AD 36.
It argues that the appearance of the phoenix had originally been invented as an omen not so much of the death of Tiberius, but of the succession of Caligula, and that a later source changed the date of this alleged appearance and cast doubt on its validity in order to deprive Caligula of an omen that had seemed to characterize his reign as a time of renewal.
Tacitus then followed this source.
Related Results
The Hermeneutics of Omens: The Bankruptcy of Moral Cosmology in Western Han China (206 bce–8 ce)
The Hermeneutics of Omens: The Bankruptcy of Moral Cosmology in Western Han China (206 bce–8 ce)
AbstractStudents of Chinese intellectual history are familiar with moral cosmology developed in the Han era, a theory that alleges that ru use omens to admonish the emperor, and th...
ON VIRGIL'S LIGHTNING, COMETS, AND LIBYAN SHE-BEARS
ON VIRGIL'S LIGHTNING, COMETS, AND LIBYAN SHE-BEARS
The expressionpelle Libystidis ursae, which occurs atAen. 5.37 and 8.368, has caused a certain amount of puzzlement among scholars. This article will attempt to explain, through Vi...
Misreading Morrison, Mishearing Jazz: A Response to
Toni Morrison's Jazz Critics
Misreading Morrison, Mishearing Jazz: A Response to
Toni Morrison's Jazz Critics
Toni Morrison's fiction, we have been repeatedly told, embodies
features
taken from jazz. Her books have a “jazzy prose style,” express
a
“jazz aesthetic,” or are “literary j...
“Nomen Fit Omen”: George Eliot's Use of Biblical Persons
“Nomen Fit Omen”: George Eliot's Use of Biblical Persons
AbstractBecause George Eliot's aim in writing fiction was to persuade her readers to love one another, she wanted to create loveable characters. This she does by an objective and i...
Cross-cultural Theatre Education: Rehearsals and Performance. English as Lingua Franca, rewriting process, and poly-glottal text in psycho-physical acting practice
Cross-cultural Theatre Education: Rehearsals and Performance. English as Lingua Franca, rewriting process, and poly-glottal text in psycho-physical acting practice
At Copenhagen International School of Performing Arts, English is the Lingua Franca (ELF) of artistic exploration. With a non-conformist approach to the use of ELF, highlighting a ...
Cross-cultural Theatre Education: Rehearsals and Performance English as Lingua Franca, rewriting process, and poly-glottal text in psycho-physical acting practice
Cross-cultural Theatre Education: Rehearsals and Performance English as Lingua Franca, rewriting process, and poly-glottal text in psycho-physical acting practice
At Copenhagen International School of Performing Arts, English is the Lingua Franca (ELF) of artistic exploration. With a non-conformist approach to the use of ELF, highlighting a ...
Palaeo or Neo? Bataille, Lévi-Strauss and the Rewriting of Prehistory
Palaeo or Neo? Bataille, Lévi-Strauss and the Rewriting of Prehistory
This article's polemical thrust begins with Georges Bataille's 1956 critique of Tristes Tropiques, where Lévi-Strauss omits the Palaeolithic while extolling the Neolithic advent of...
Rewriting Genesis
Rewriting Genesis
Abstract
Barnett Newman’s abstract paintings are often explicitly linked to biblical narratives by their titles. In particular Newman regularly revisits the Genesis creation st...