Javascript must be enabled to continue!
Origins of Cuban Music and Dance
View through CrossRef
Origins of Cuban Music and Dance: Changüí is the first in-depth study of changüí, a style of music and dance in Guantánamo, Cuba. changüí is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changüí and its relationship to the roots of son, Cuba’s national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changüí, connections with the Caribbean that have been largely overlooked in the past.
After an initial historical discussion about the region of Guantánamo and the inter-connectedness of its various musical styles with a focus on changüí, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond. He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs. In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history. The volume concludes with a comparison between changüí and son, as well as a bibliography, discography, and videography.
Title: Origins of Cuban Music and Dance
Description:
Origins of Cuban Music and Dance: Changüí is the first in-depth study of changüí, a style of music and dance in Guantánamo, Cuba.
changüí is analogous to blues in the United States and is a crucible of Cuban Creole culture.
Benjamin Lapidus describes changüí and its relationship to the roots of son, Cuba’s national genre and the style of music that contributed to the development of salsa, in Eastern Cuba.
He also highlights the connections between Afro-Haitian music and Cuban popular music through changüí, connections with the Caribbean that have been largely overlooked in the past.
After an initial historical discussion about the region of Guantánamo and the inter-connectedness of its various musical styles with a focus on changüí, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond.
He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs.
In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history.
The volume concludes with a comparison between changüí and son, as well as a bibliography, discography, and videography.
Related Results
The Cuban Americans
The Cuban Americans
Today more than one million emigrés make up the Cuban diaspora, and many, though living in America, still consider themselves part of Cuba. This book captures the struggles and dre...
Latin Dance
Latin Dance
This title in the American Dance Floor series provides an overview of the origins, development, and current status of Latin social dancing in the United States.Latin dance and musi...
Dance Appreciation
Dance Appreciation
Dance Appreciation meets the needs of dance students who are new to dance as well as those who are experienced in the art form. The text helps learners discover more about themselv...
Entering into an Indigenous Cypher
Entering into an Indigenous Cypher
Although music-dance making would seem, intuitively, to be part of leisure studies, music and dance very seldom appear beyond the simple form of “activity” and rarely as music-danc...
Safe Dance Practice
Safe Dance Practice
Every dancer of every age, ability, and style should be able to engage fully in the act of dancing and be encouraged to achieve their potential without risk of harm to the body or ...
Seeing Voices
Seeing Voices
Abstract
We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to t...
Introduction
Introduction
Dance and politics move and move one another in complex and myriad ways. What aspects or efficacy of a dance can be considered political, and what possibilities and understandings ...
Music Therapy Research
Music Therapy Research
Music therapy is an evidence-based profession. Music therapy research aims to provide information about outcomes that support music therapy practice including contributing to theor...


