Javascript must be enabled to continue!
Outsider as an Independent Filmmaker
View through CrossRef
This chapter discusses the modes of film production in Finland during the studio era. Most of Tulio’s films were made at a time when Finnish film trade was dominated by a few vertically integrated companies. Operating as an independent producer outside of these companies required imagination and inventiveness. Among Tulio’s survival tactics were the avoidance of large sets, use of amateur actors, as well as recycling of shots and music from his previous films. Furthermore, Tulio made both Finnish and Swedish language versions of most of his films, aiming to reach also the Scandinavian markets.
Edinburgh University Press
Title: Outsider as an Independent Filmmaker
Description:
This chapter discusses the modes of film production in Finland during the studio era.
Most of Tulio’s films were made at a time when Finnish film trade was dominated by a few vertically integrated companies.
Operating as an independent producer outside of these companies required imagination and inventiveness.
Among Tulio’s survival tactics were the avoidance of large sets, use of amateur actors, as well as recycling of shots and music from his previous films.
Furthermore, Tulio made both Finnish and Swedish language versions of most of his films, aiming to reach also the Scandinavian markets.
Related Results
The Five Tasks of the Filmmaker
The Five Tasks of the Filmmaker
Abstract
A reflection on the five tasks discussed in this chapter is considered as informative of the filmmaker’s perspectives and decision-making processes, an awar...
Barry Jenkins
Barry Jenkins
Abstract
This introduction to the Moonlight case studies describes how the film takes its protagonist through three stages of development—boyhood, youth, and early m...
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his ...
The Art of the Filmmaker
The Art of the Filmmaker
Abstract
This book reveals the filmmaker’s art, principles, methods, and approaches for a range of readers: the student filmmaker; practicing filmmaker; student or s...
Chelsea Manning and the Politics of Truth-Telling
Chelsea Manning and the Politics of Truth-Telling
Abstract
This chapter argues that reading Chelsea Manning as an outsider truth-teller, and developing a defense of outsider truth-telling, is important to our unders...
Bell inequalities for device-independent protocols
Bell inequalities for device-independent protocols
The technological era that we live in is sometimes described as the Information Age. Colossal amounts of data are generated every day and considerable effort is put into creating t...
Conclusion
Conclusion
Abstract
The conclusion sets out in general terms apparently contradictory aspects of the filmmaker’s art, restates the concept of the aesthetics of the screen as a ...

