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Quadros and his Readers
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Abstract
This chapter examines questions relating to readership in three texts authored by António Quadros’s penname João Pedro Grabato Dias: the short stories Sete Contos para um Carnaval, the preface to O Povo é Nós, and a poem from Sagapress. It uses these texts to propose a means of reconciling the debate in post-colonial studies concerning the modes of reading—historicist and deconstructionist—most appropriate for approaching texts written in colonial contexts. Furthermore, author examines Quadros’s framing of literature’s potential to have a tangible, positive, and material impact on society, through its readers, in light of decolonial theory’s emphasis on a critical practice directed towards radically transforming the world.
Title: Quadros and his Readers
Description:
Abstract
This chapter examines questions relating to readership in three texts authored by António Quadros’s penname João Pedro Grabato Dias: the short stories Sete Contos para um Carnaval, the preface to O Povo é Nós, and a poem from Sagapress.
It uses these texts to propose a means of reconciling the debate in post-colonial studies concerning the modes of reading—historicist and deconstructionist—most appropriate for approaching texts written in colonial contexts.
Furthermore, author examines Quadros’s framing of literature’s potential to have a tangible, positive, and material impact on society, through its readers, in light of decolonial theory’s emphasis on a critical practice directed towards radically transforming the world.
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