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Studies on A.M. Remizov’s Creative Biography: 1926–1927. Part 1. “Aesthete-Degenerateˮ
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The biographical essay is dedicated to the literary situation with
Alexei Remizov in 1926 connected with his activities for the new journals —
Blagonamerenny and Versty. Based on previously unknown materials from Remizov’s
personal archive, correspondence and memoirs of his contemporaries involved in the
events, the paper interprets Remizov’s position as an active participant of literary
process. The paper describes the writer’s creative tasks that were realized in the
above-mentioned periodicals, and his mission as a promoter of young talents in Soviet
Russia and in emigration. Detailed analysis of the critical articles that accused the
editors of both journals as well as their co-worker Remizov of destroying the Russian
literary diaspora ideological integrity and aesthetic canons, allows to define the main
contradictions in the émigré literary life that had accumulated by 1926. The essay
also reconstructs previously unknown episodes in the history of Blagonamerenny and Versty using letters of Remizov, D.A. Shakhovskoy, L. Shestov, N. Berberova that are
being introduced into scholarly discourse.
A. M. Gorky Institute of World Literature of the Russian Academy of Sciences
Title: Studies on A.M. Remizov’s Creative Biography: 1926–1927. Part 1. “Aesthete-Degenerateˮ
Description:
The biographical essay is dedicated to the literary situation with
Alexei Remizov in 1926 connected with his activities for the new journals —
Blagonamerenny and Versty.
Based on previously unknown materials from Remizov’s
personal archive, correspondence and memoirs of his contemporaries involved in the
events, the paper interprets Remizov’s position as an active participant of literary
process.
The paper describes the writer’s creative tasks that were realized in the
above-mentioned periodicals, and his mission as a promoter of young talents in Soviet
Russia and in emigration.
Detailed analysis of the critical articles that accused the
editors of both journals as well as their co-worker Remizov of destroying the Russian
literary diaspora ideological integrity and aesthetic canons, allows to define the main
contradictions in the émigré literary life that had accumulated by 1926.
The essay
also reconstructs previously unknown episodes in the history of Blagonamerenny and Versty using letters of Remizov, D.
A.
Shakhovskoy, L.
Shestov, N.
Berberova that are
being introduced into scholarly discourse.
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