Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Wine taster's cup

View through Harvard Museums
Department of Paintings Sculpture & Decorative Arts Mrs Arthur T. Cabot bequest; to Fogg Art Museum 1944 Harvard Art Museums/Fogg Museum Bequest of Mrs. Arthur T. Cabot
Title: Wine taster's cup
Description not available.

Related Results

Column Krater (bowl for mixing wine and water): Komos Scene
Column Krater (bowl for mixing wine and water): Komos Scene
On one side, two nude women, both wearing headdresses and adorned with earrings and necklaces are chased by two men nude men. The woman on the right holds a wine cup (skyphos) in h...
Pelike (wine container): Striding Herakles
Pelike (wine container): Striding Herakles
On one side, Herakles strides along with club in his right hand and carrying a pole with two suspended transport amphorae (storage jars) over left shoulder On the other side, a sa...
Bacchanal
Bacchanal
Giulio Carpioni began his training in Padovanino’s workshop where he became acquainted with the work of Titian. Around 1631 he travelled with his master to Bergamo, gaining a knowl...
Landscape with Wine Harvest
Landscape with Wine Harvest
Brush and gray wash touches of pen and brown ink over traces of black chalk with an illusionistic frame drawn in yellow and brown wash...
Wine Drinking in a Spring Garden
Wine Drinking in a Spring Garden
Opaque watercolor and gold on undyed silk...
Greek Evangelical School of Smyrna, Octateuch (destroyed in 1922): Genesis 14:18-20, 15
Greek Evangelical School of Smyrna, Octateuch (destroyed in 1922): Genesis 14:18-20, 15
the meeting of Abraham and Melchizedek, the high priest and king of Salem, who brings bread and wine; God's covenant with Abraham: God promises that Abraham's seed shall be as nume...

Recent Results

Learning by Doing: Undergraduates as Employees in Archives
Learning by Doing: Undergraduates as Employees in Archives
Staffing levels in the archives of large universities are usually inadequate. The ready availability of undergraduates provides opportunities for improving staffing levels at reaso...
Edvard Munch
Edvard Munch
Edvard Munch, Exhibitions, 1986, Skira Editore...
Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding
Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding
Live coding is an embodied, sensorial and live technological–human relationship that is recursively iterated through sonic and visual outputs based on what we argue are kinship rel...

Back to Top