Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Memory, Re-memory and Post-memory

View through CrossRef
Abstract For the Indian diaspora their new lives in the Imperial colonies became the present and the country left behind became memory. As the diasporics tried to recall the past, they dealt in what Toni Morrison has called the act of re-memory. Pheroze Nowrojee’s re-telling of the tale of his grandfather, who went from India to Kenya to run the trains on what was then called the Uganda Railways, is a case of re-memory, as the private memories of an earlier generation are etched into public and even national spaces of independent Kenya. There is also what Marianne Hirsch calls post-memory which can also be considered in the case of diasporic writing. While A Kenyan Journey (2014) tells the story of the author’s grandfather, it is much more than just a Parsi Zoroastrian family’s memoir. Intertwined in the grandfather’s story are the wider narratives of colonialism and old and new homelands.
Title: Memory, Re-memory and Post-memory
Description:
Abstract For the Indian diaspora their new lives in the Imperial colonies became the present and the country left behind became memory.
As the diasporics tried to recall the past, they dealt in what Toni Morrison has called the act of re-memory.
Pheroze Nowrojee’s re-telling of the tale of his grandfather, who went from India to Kenya to run the trains on what was then called the Uganda Railways, is a case of re-memory, as the private memories of an earlier generation are etched into public and even national spaces of independent Kenya.
There is also what Marianne Hirsch calls post-memory which can also be considered in the case of diasporic writing.
While A Kenyan Journey (2014) tells the story of the author’s grandfather, it is much more than just a Parsi Zoroastrian family’s memoir.
Intertwined in the grandfather’s story are the wider narratives of colonialism and old and new homelands.

Related Results

Musical protagonism: Beyond participation in punk and post-punk
Musical protagonism: Beyond participation in punk and post-punk
Abstract This article applies the notion of participation in artworks to the phenomenon of punk and post-punk. Participation has been championed as a means of descri...
Post–national Spain? Post–Spanish Spain?
Post–national Spain? Post–Spanish Spain?
The term ‘post–nationalism’ has been proposed to designate the emergence of political bodies in the wake of economic globalisation. However, not only is the ‘post–national landscap...
‘Digital indigestion’: cumbia, class and a post-digital ethos in Buenos Aires
‘Digital indigestion’: cumbia, class and a post-digital ethos in Buenos Aires
AbstractThis article focuses on three recent manifestations of cumbia in Buenos Aires, Argentina: digital cumbia released by ZZK Records; retro cumbia orchestras; and a newer stran...
Punk – but not as we know it: Punk in post-socialist space
Punk – but not as we know it: Punk in post-socialist space
In this introductory article, the rationale for considering punk in a particular spatial and temporal setting (post-socialist societies) is outlined. It is argued that such an ente...
National differences in intrinsic and extrinsic work values
National differences in intrinsic and extrinsic work values
In this article, we develop a new approach to further understand cross-national differences in work values by examining the effects of post-industrialization, an important social i...
Acmeism, Post-symbolism, and Henri Bergson
Acmeism, Post-symbolism, and Henri Bergson
Ezra Pound once remarked that “the history of English poetic glory is a history of successful steals from the French.“ To a certain degree, the same can be said of Russian poetry, ...
Reading Our Ruins
Reading Our Ruins
Abstract The essay enquires into what is accepted in academic and political circles as ‘post-colonial’ reality and questions some of the assumptions about its imagination, narr...

Back to Top