Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Afterimage: an aesthetic light. The process of exploration in the field of abstract painting

View through Europeana Collections
[EN] This work is presented as a process of pictorial exploration in the field of abstraction that takes as its initial starting point a visual reference: the residual images (afterimage) that we perceive as a result of retinal burns caused by ultraviolet light (photokeratitis). However, during the evolution and development of this process, the same pictorial exploration has been discovering and proposing new approaches, interests and objectives that focus not so much on the visual allusion to this type of images, but on the possibilities of development focused on the pictorial and the self-sufficiency or expressive autonomy of the language of pictorial abstraction. Thus, this processual development has been focusing, delimiting and incorporating some innovations in its conceptual framework, such as light and emptiness; in the plastic and formal plane, because although alternatives were explored both in the field of organic and geometric abstraction, it was in the latter where our interest was directed, betting on deepening the possibilities of pictorial development that it offered us; and in the use of colour because, as with the materiality of painting, we moved away from certain mimetic approaches to acquire a more plastic and autonomous dimension. To identify this work with a process presupposes our interest in the path and the methodology that has made it possible to manage it. A processual methodology that, focusing on self-questioning, introspection and dialogue with painting, has also been the key to a fundamental learning process.
Title: Afterimage: an aesthetic light. The process of exploration in the field of abstract painting
Description:
[EN] This work is presented as a process of pictorial exploration in the field of abstraction that takes as its initial starting point a visual reference: the residual images (afterimage) that we perceive as a result of retinal burns caused by ultraviolet light (photokeratitis).
However, during the evolution and development of this process, the same pictorial exploration has been discovering and proposing new approaches, interests and objectives that focus not so much on the visual allusion to this type of images, but on the possibilities of development focused on the pictorial and the self-sufficiency or expressive autonomy of the language of pictorial abstraction.
Thus, this processual development has been focusing, delimiting and incorporating some innovations in its conceptual framework, such as light and emptiness; in the plastic and formal plane, because although alternatives were explored both in the field of organic and geometric abstraction, it was in the latter where our interest was directed, betting on deepening the possibilities of pictorial development that it offered us; and in the use of colour because, as with the materiality of painting, we moved away from certain mimetic approaches to acquire a more plastic and autonomous dimension.
To identify this work with a process presupposes our interest in the path and the methodology that has made it possible to manage it.
A processual methodology that, focusing on self-questioning, introspection and dialogue with painting, has also been the key to a fundamental learning process.

Related Results

Acoustic far-field prediction based on near-field measurements by using several different holography algorithms
Acoustic far-field prediction based on near-field measurements by using several different holography algorithms
Near-field acoustical holography (NAH) is a useful tool for sound field reconstruction and sound source identification. In NAH, a basis model is first selected to represent the phy...
Constantinople as 'New Rome'
Constantinople as 'New Rome'
<!--[if gte mso 9]><xml> <o:DocumentProperties> <o:Revision>0</o:Revision> <o:TotalTime>0</o:TotalTime> <o:Pages>1</o:Pages> &...
A Postmodern Metamorphosis: The Process of Michael Sgan-Cohen’s Reception into the Israeli Art Field
A Postmodern Metamorphosis: The Process of Michael Sgan-Cohen’s Reception into the Israeli Art Field
Abstract This essay looks at Michael Sgan-Cohen’s reception in the Israeli art field over a period of 25 years. It suggests that whereas Sgan-Cohen’s signature style of referencing...
A Film Aesthetic to Discover
A Film Aesthetic to Discover
Challenging today’s ascendant digital aesthetic, this essay retraces one powerful line of French theory which treats film as an art which “discovers” significance rather than “cons...
Natural Histories of Form
Natural Histories of Form
Arguing that aesthetic preference generates the historical forms of human racial and gender difference in The Descent of Man, Charles Darwin offers an alternative account of aesthe...
Aesthetic Value: Beauty, Ugliness and Incoherence
Aesthetic Value: Beauty, Ugliness and Incoherence
From Plato through Aquinas to Kant and beyond beauty has traditionally been considered the paradigmatic aesthetic quality. Thus, quite naturally following Socrates' strategy in The...
A Study on the Image of the Splashed Ink and Color Landscape Painting by Chang Dai-Chien
A Study on the Image of the Splashed Ink and Color Landscape Painting by Chang Dai-Chien
The splashed ink and color landscape painting was created by Chang Dai-Chien(1899-1983) in his latter days to summarize his art life. This paper studied the ‘image’ revealed in the...
Concrete Abstract: Exploring Tactility in Abstract Animations from Early Avant-garde Films to Contemporary Artworks
Concrete Abstract: Exploring Tactility in Abstract Animations from Early Avant-garde Films to Contemporary Artworks
After witnessing social chaos and the collapse of values at the beginning of the twentieth century, avant-garde artists insert new thought patterns and progressive aesthetic into t...

Back to Top