Javascript must be enabled to continue!
Hollywood stars vs variety show hosts: The incompatible case of Frank Sinatra on 1950s television
View through CrossRef
This article considers the identity of the variety show host on 1950s American television, exploring how Frank Sinatra's poorly received assumption of the role reveals its strictly limited alignment with a perceived middle-class suburban family audience. Television's attempt to invest
its stars with a sense of the everyday in contrast to the extraordinary glamour provided by Hollywood guest stars is examined in the context of the positioning of Dinah Shore and Perry Como as idealized archetypes of the host identity. Exploring the critical reception of Frank Sinatra as both
a variety show host and guest, as well as the unconventional star image presented through his performances on the small screen, the article argues that Sinatra explicitly illustrates the distinct ways in which the roles of variety show host and guest star were defined around the oppositions
of television and Hollywood, comfort and disruption, ordinary and extraordinary, and suburban and urban.
Title: Hollywood stars vs variety show hosts: The incompatible case of Frank Sinatra on 1950s television
Description:
This article considers the identity of the variety show host on 1950s American television, exploring how Frank Sinatra's poorly received assumption of the role reveals its strictly limited alignment with a perceived middle-class suburban family audience.
Television's attempt to invest
its stars with a sense of the everyday in contrast to the extraordinary glamour provided by Hollywood guest stars is examined in the context of the positioning of Dinah Shore and Perry Como as idealized archetypes of the host identity.
Exploring the critical reception of Frank Sinatra as both
a variety show host and guest, as well as the unconventional star image presented through his performances on the small screen, the article argues that Sinatra explicitly illustrates the distinct ways in which the roles of variety show host and guest star were defined around the oppositions
of television and Hollywood, comfort and disruption, ordinary and extraordinary, and suburban and urban.
Related Results
Between-Task Transfer of Learning From Spatial Compatibility to a Color Stroop Task
Between-Task Transfer of Learning From Spatial Compatibility to a Color Stroop Task
Responses to a relevant stimulus dimension are faster and more accurate when the stimulus and response spatially correspond compared to when they do not, even though stimulus posit...
Cultural influences in screenwriting: Australia vs. Hollywood
Cultural influences in screenwriting: Australia vs. Hollywood
The Hollywood paradigm of screenwriting is claimed to be the universal approach to storytelling. The paradigm is said to be ‘in our DNA’ and override cultural difference. It is dec...
BerlInversions
BerlInversions
Todd Berliner’s Hollywood Aesthetic advances an original perspective on Hollywood filmmaking by insisting on its fundamentally aesthetic character, and exploring its particular aes...
BBC2 and World Cinema
BBC2 and World Cinema
This article examines the origins of BBC2's reputation as a purveyor of films from around the world, exploring the significance and impact of the strand World Cinema (1965–74) and ...
Media and public sphere in Ethiopia: Mediated deliberations in public and commercial television programs
Media and public sphere in Ethiopia: Mediated deliberations in public and commercial television programs
This paper explores if televised deliberations constitute the public sphere in Ethiopia, analysing the public service and commercial TV stations focussing on the EBC’s ETV Medrek, ...
Trauma, Mind Style, and Unreliable Narration in Toni Morrison’s Home
Trauma, Mind Style, and Unreliable Narration in Toni Morrison’s Home
ABSTRACT
This article provides a twofold reading of Toni Morrison’s novel Home. In the first instance, the stylistic representation of post-traumatic stress disorder...
Punk Subculture and the Queer Critique of Community on 1980s Cable TV: The Case of New Wave Theatre
Punk Subculture and the Queer Critique of Community on 1980s Cable TV: The Case of New Wave Theatre
If histories of television recognize it all, the relationship between punk subculture and the mass cultural medium of television is often rendered as a story of misreprentation, co...
Negotiating Distances: The Cultural Economy of Television Programs
Negotiating Distances: The Cultural Economy of Television Programs
This article considers the moral and ethical implications of television representation in a global age. It focuses on the role of the television industry in challenging and changin...