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Emmanuel-Augustin-Dieudonné-Marin-Joseph, comte de Las Cases
View through The Met
Bronze
European Sculpture and Decorative Arts, Metropolitan Museum of Art New York NY, Gift of Joseph G. Reinis 2008
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A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, o
A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, o
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Au
Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Au
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La
A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'Th
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'Th
Etching with engraving, Five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day or the marriage of Figaro' (La Folle journée ou le mariage de Figaro) b...
Portrait of the Comte de Caylus
Portrait of the Comte de Caylus
A tondo profile portrait of the Comte de Caylus facing left....
Vignette at the beginning of Volume III, from Le Comte de Valmont ou les Egaremens de la raison. Douzième édition revue et corrigée par l'auteur ornée de gravures. Paris chez Bossange, Masson et Besson
Vignette at the beginning of Volume III, from Le Comte de Valmont ou les Egaremens de la raison. Douzième édition revue et corrigée par l'auteur ornée de gravures. Paris chez Bossange, Masson et Besson
Etching and engraving; second state of two (Bocher), Le Comte de Valmont ou les Egaremens de la raison. Douzième édition revue et corrigée par l'auteur ornée de gravures. Paris che...