Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Interpreting a <i>Tatanua</i> Mask

View through CrossRef
This article introduces the art historical method of functional deixis into the study of material culture in anthropology. Functional deixis begins with a thorough empirical description of communicative effects—visual and embodied—produced by a material thing on the beholder. It then proceeds by tending to a kind of formalisation that enables us, on the one hand, to sharpen our intuitive reaction to the thing and, on the other, to obtain detailed knowledge about the ways material things produce significance. Here, the method is applied to a tatanua mask originating from present-day Papua New Guinea and currently housed at the Grassi Museum für Völkerkunde in Leipzig, Germany. Based on a thick description, we propose an in-depth interpretation of the mask as a complex response to a fundamental injury, articulating a symbolic expression of grief (left side) with an iconic expression overcoming grief (right side) after a passage through a real word expressed through the front of the mask. In doing so, the article offers a tool to study with rather than a text to read off.
Title: Interpreting a <i>Tatanua</i> Mask
Description:
This article introduces the art historical method of functional deixis into the study of material culture in anthropology.
Functional deixis begins with a thorough empirical description of communicative effects—visual and embodied—produced by a material thing on the beholder.
It then proceeds by tending to a kind of formalisation that enables us, on the one hand, to sharpen our intuitive reaction to the thing and, on the other, to obtain detailed knowledge about the ways material things produce significance.
Here, the method is applied to a tatanua mask originating from present-day Papua New Guinea and currently housed at the Grassi Museum für Völkerkunde in Leipzig, Germany.
Based on a thick description, we propose an in-depth interpretation of the mask as a complex response to a fundamental injury, articulating a symbolic expression of grief (left side) with an iconic expression overcoming grief (right side) after a passage through a real word expressed through the front of the mask.
In doing so, the article offers a tool to study with rather than a text to read off.

Related Results

Writing against “Mask Culture”: Orientalism and COVID-19 Responses in the West
Writing against “Mask Culture”: Orientalism and COVID-19 Responses in the West
Since the first coronavirus outbreak hit China in January 2020, how different countries respond to the crisis has sparked interesting discussions regarding to their respective hist...
Discussion of Mask Alignment Accuracy for EUV Lithography
Discussion of Mask Alignment Accuracy for EUV Lithography
The shorter lithography printing light source wavelength is, the more accurate alignment is required for resist printing of high packing density integrated circuits (ICs). As to lo...
A Fragment of an Ivory Statue at the British Museum
A Fragment of an Ivory Statue at the British Museum
About three years ago I sent some slight notes on chryselephantine sculpture to the Journal, but withdrew them again for expansion. In the main they were intended to bring out the ...
The occurrence of tortoiseshell on a pre-Hispanic Maya mosaic mask
The occurrence of tortoiseshell on a pre-Hispanic Maya mosaic mask
The Dumbarton Oaks Maya mosaic mask is shown to have included tortoiseshell on an earlobe—remarkable since this is the only demonstrated use of this material in pre-Hispanic Mesoam...
The Power of Ambiguity: The Nature and Efficacy of the Zamble Masks Revealed by ‘Disease Masks’ Among the Gouro People (Côte d'Ivoire)
The Power of Ambiguity: The Nature and Efficacy of the Zamble Masks Revealed by ‘Disease Masks’ Among the Gouro People (Côte d'Ivoire)
Among the Gouro masks, Zamble, a composite animal figure, and Gù, a fine-featured woman's face, are known to art lovers around the world. Today their profane avatars, Flali and Zao...
Visual optics: interpreting body art, three ways
Visual optics: interpreting body art, three ways
Research methodology using visual narrative techniques opens up conceptual views for interpreting a wide range of visuals. In this article, the authors analyse tattoos on a subject...
The Crucible of Witnessing
The Crucible of Witnessing
Abstract This essay considers the ethically complex figure of the feminine witness to suffering by thinking in-depth about photographer and installation artist Carri...
Some New Epigraphy Material from the Hashemite Kingdom of the Jordan
Some New Epigraphy Material from the Hashemite Kingdom of the Jordan
The aim of this research is to present a new collection of ANA inscriptions (Safaitic) discovered in 2017 in the Jordanian northeastern Badia in the area of Tall Al-Hafit. The rese...

Back to Top