Javascript must be enabled to continue!
Red Thread Dancing|Feather Dreaming
View through CrossRef
We offer a dream|dance in visual, metaphoric, and haptic image by engaging creation-centered poetic inquiring as a unique rendering of embodied reflexivity through the arts. Our lyric text, a songscape, framed by the interplay of chorus and storying verse, enacts the movement and mood of a dance. Red threads and feathers, as partners, symbolize the voice and agency of entities becoming within the complex relational-ecologies with whom we live. This songscape advances creation-centered research by demonstrating Whitehead’s ontology of becoming—process prioritized over substance—where bodily feelings provide the earthen richness through which images, emotions, hopes, and thoughts emerge. Working from modes of reflexivity within animate paradigms advances relational consciousness by foregrounding agential landscapes, ancestors, psychscapes, and our dependent co-arising. Here, relational consciousness reveals Nature—in all its forms—as a co-creative.
Title: Red Thread Dancing|Feather Dreaming
Description:
We offer a dream|dance in visual, metaphoric, and haptic image by engaging creation-centered poetic inquiring as a unique rendering of embodied reflexivity through the arts.
Our lyric text, a songscape, framed by the interplay of chorus and storying verse, enacts the movement and mood of a dance.
Red threads and feathers, as partners, symbolize the voice and agency of entities becoming within the complex relational-ecologies with whom we live.
This songscape advances creation-centered research by demonstrating Whitehead’s ontology of becoming—process prioritized over substance—where bodily feelings provide the earthen richness through which images, emotions, hopes, and thoughts emerge.
Working from modes of reflexivity within animate paradigms advances relational consciousness by foregrounding agential landscapes, ancestors, psychscapes, and our dependent co-arising.
Here, relational consciousness reveals Nature—in all its forms—as a co-creative.
Related Results
Spinning the pole: A discursive analysis of the websites of recreational pole dancing studios
Spinning the pole: A discursive analysis of the websites of recreational pole dancing studios
Pole dancing is an activity that came to prominence in strip clubs. Despite its widespread reinvention as a fitness activity for women, pole dancing is still strongly associated wi...
Making Traditions: Girls’ Carnival Morris Dancing and Material Practice
Making Traditions: Girls’ Carnival Morris Dancing and Material Practice
Girls’ carnival morris dancing holds a curious status in the canon of English folk performance. On the one hand, this highly competitive team-formation dance operates at a fundamen...
`Empowerment' and the Pole: A Discursive Investigation of the Reinvention of Pole Dancing as a Recreational Activity
`Empowerment' and the Pole: A Discursive Investigation of the Reinvention of Pole Dancing as a Recreational Activity
The activity of `pole dancing' has recently been transformed from an act performed exclusively in strip clubs to one currently marketed as a form of aerobic exercise. While much fe...
Water and dreams
Water and dreams
This essay explores dreams and dreaming with reference to Gaston Bachelard’s rather overlooked essay Water and Dreams (1941), where he defines two modes of imagination that are dis...
Day-Dreaming States in Interfaced Environments: Telematic Rituals in Ouroboros
Day-Dreaming States in Interfaced Environments: Telematic Rituals in Ouroboros
The anthropological effects of cyberspace grant to the interfaced body a new capacity for attempting higher and more complex levels of interaction. The author's on-line project Our...
Exploring the private universe of Henri Matisse in The Red Studio
Exploring the private universe of Henri Matisse in The Red Studio
AbstractThe exhibition Matisse: The Red Studio allowed for an in-depth study of The Red Studio (1911) and six of the works featured in the painting by Henri Matisse (1869–1954) of ...
Pole Position: Migrant British Women Producing ‘Selves’ through Lap Dancing Work
Pole Position: Migrant British Women Producing ‘Selves’ through Lap Dancing Work
This paper explores the motivations and experiences of British women working as lap dancers in the tourist resorts of southern Tenerife, with a particular focus on the subjective c...
Dance Lessons, Mirrors and Minuets: Martin Engelbrecht's Engraving Das Tantzen / La Danse
Dance Lessons, Mirrors and Minuets: Martin Engelbrecht's Engraving Das Tantzen / La Danse
Martin Engelbrecht’s hand-coloured engraving Das Tantzen / La Danse c. 1730 depicts a dance lesson where the dancing master is teaching five students. The engraving is detailed and...