Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Lucy Hutchinson’s Theological Writings

View through CrossRef
Abstract Lucy Hutchinson’s religious commitments inform her writing across its variety of genres. Critics and historians have tended to identify her as a Baptist, following the rejection of infant baptism that she records in her biography of her husband, John Hutchinson. But the recent publication of her theological writings allows for a more complicated account of her changing religious views. In the Life, Lucy Hutchinson showed how her husband’s theological commitments radicalized after the Restoration. His turn away from Protestant scholasticism towards a more independent engagement with the Bible facilitated his investigation of millennial theory. After his death, Lucy Hutchinson continued this autonomous theological exploration, and moved further from the orthodox mainstream. After the mid-1660s, she prepared a sequence of theological writings that evidence her increasingly eclectic religious style. These documents suggest that she did not resolve some of her most dramatic movements away from Reformed orthodoxy. In these writings, Hutchinson negotiated a critical distance from her husband’s legacy, the Reformed confessional tradition, and the options available in any of the available dissenting congregations.
Oxford University Press (OUP)
Title: Lucy Hutchinson’s Theological Writings
Description:
Abstract Lucy Hutchinson’s religious commitments inform her writing across its variety of genres.
Critics and historians have tended to identify her as a Baptist, following the rejection of infant baptism that she records in her biography of her husband, John Hutchinson.
But the recent publication of her theological writings allows for a more complicated account of her changing religious views.
In the Life, Lucy Hutchinson showed how her husband’s theological commitments radicalized after the Restoration.
His turn away from Protestant scholasticism towards a more independent engagement with the Bible facilitated his investigation of millennial theory.
After his death, Lucy Hutchinson continued this autonomous theological exploration, and moved further from the orthodox mainstream.
After the mid-1660s, she prepared a sequence of theological writings that evidence her increasingly eclectic religious style.
These documents suggest that she did not resolve some of her most dramatic movements away from Reformed orthodoxy.
In these writings, Hutchinson negotiated a critical distance from her husband’s legacy, the Reformed confessional tradition, and the options available in any of the available dissenting congregations.

Related Results

Lucy Hutchinson and the Business of Memoirs
Lucy Hutchinson and the Business of Memoirs
Abstract Until comparatively recently, Lucy Hutchinson’s Memoirs were read as a personal and private document, and, even though their significance as a primary histo...
Lucy Hutchinson’s Guide to Domestic Catechesis
Lucy Hutchinson’s Guide to Domestic Catechesis
Abstract This essay proposes that we can better understand Lucy Hutchinson’s manuscript, ‘On the Principles of the Christian Religion’, by considering it in relation...
The Lucy Site in Central New Mexico
The Lucy Site in Central New Mexico
The Lucy site in the Estancia Valley of central New Mexico promises to be an important locality for Early Man. Excavations were conducted there in the summer of 1954 as part of the...
Lucy, Lucia, and Locke
Lucy, Lucia, and Locke
Madness may remain silent in fiction, but not in opera. In giving voice to the madness of Lucia in Donizetti’s Lucia di Lammermoor, his adaptation of Scott’s The Bride of Lammermoo...
Becoming-Flashdrive: The Cinematic Intelligence of Lucy
Becoming-Flashdrive: The Cinematic Intelligence of Lucy
An important but easily forgotten moment in the history of film-philosophy is Jean Epstein's assertion that cinema, more than merely thinking, has a kind of intelligence. If it is ...
Nothing Is Erased: Hubert Damisch and Jean Dubuffet
Nothing Is Erased: Hubert Damisch and Jean Dubuffet
Alongside his writings on the cloud, architecture, the Italian Renaissance, and cinema that established him as one of the most important art historians and philosophers working in ...
The Theological Structure of ‘Pearl’
The Theological Structure of ‘Pearl’
Like the undergraduate who read Macbeth twice in high school — ‘once for the truth and once for the beauty’ — modern scholars seem content to restrict their reading of Pearl to an ...

Back to Top