Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and hand-sewn. Mordant dyed. Cut without a waist seam, and constructed from two
View through Europeana Collections
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and hand-sewn. Mordant dyed. Cut without a waist seam, and constructed from two and a half pieces of fabric, 42 inches wide selvedge to selvedge, and gathered into 10 box pleats which run vertically from the neck down the full length of the garment. The high waisted bodice is lined with fine white linen which extends to form the lining of the front bodice panel. At the front of the bodice opening on the left-hand side is a waist or belt fastener made from matching chintz and trimmed with a cream loop cord braid. The belt is lined in white cotton with blue threads in the selvedge denoting English origin. The robe has a deep rounded collar with square ends in matching material. The full length fitted sleeves fasten at each wrist with three Dorset buttons and are lined with white fustian. Hand-woven, hand-painted and hand-sewn cotton and linen.
Victoria and Albert Museum
Title: Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and hand-sewn. Mordant dyed. Cut without a waist seam, and constructed from two
Description:
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800.
Woman's open gown of hand-painted Indian cotton and linen.
Hand-woven and hand-sewn.
Mordant dyed.
Cut without a waist seam, and constructed from two and a half pieces of fabric, 42 inches wide selvedge to selvedge, and gathered into 10 box pleats which run vertically from the neck down the full length of the garment.
The high waisted bodice is lined with fine white linen which extends to form the lining of the front bodice panel.
At the front of the bodice opening on the left-hand side is a waist or belt fastener made from matching chintz and trimmed with a cream loop cord braid.
The belt is lined in white cotton with blue threads in the selvedge denoting English origin.
The robe has a deep rounded collar with square ends in matching material.
The full length fitted sleeves fasten at each wrist with three Dorset buttons and are lined with white fustian.
Hand-woven, hand-painted and hand-sewn cotton and linen.
Related Results
Dance belt
Dance belt
674-3, 6°Kachina dance sash (in two halves); ta-kun-i-kwi-kya-tsi-napa, or kâkâthléom (TK); cotton, wool, pigments; l. 102 cm. (without fringe), w. 26.5 cm.; ca. 1880.‖ The oldest ...
A sack-back gown, petticoat and stomacher made in the late 1760s of 1730s silk and trimmed with knotted silk fringe. It may have been remade from a mantua, as the petticoat is pieced with plain silk at the back. Has also been worn for 19th century fancy d
A sack-back gown, petticoat and stomacher made in the late 1760s of 1730s silk and trimmed with knotted silk fringe. It may have been remade from a mantua, as the petticoat is pieced with plain silk at the back. Has also been worn for 19th century fancy d
A sack-back gown, petticoat and stomacher made in the late 1760s of 1730s silk and trimmed with knotted silk fringe. It may have been remade from a mantua, as the petticoat is piec...
Dance belt
Dance belt
362-187Hopi woven belt, faja (TK); wool; l. 239 cm., w. 9 cm.; ca. 1880.\Such belts were usually used by women to secure their dress, but on ceremonial occasions men adopted these ...
Suit consisting of a jacket and trousers of printed cotton velvet, fabric made by Hexter, United States, suit designed by Mr Fish, London, ca. 1968. Man's suit consisting of a jacket and trousers made of striped voided cotton velvet corduroy. The coloured
Suit consisting of a jacket and trousers of printed cotton velvet, fabric made by Hexter, United States, suit designed by Mr Fish, London, ca. 1968. Man's suit consisting of a jacket and trousers made of striped voided cotton velvet corduroy. The coloured
Suit consisting of a jacket and trousers of printed cotton velvet, fabric made by Hexter, United States, suit designed by Mr Fish, London, ca. 1968. Man's suit consisting of a jack...
Breechcloth
Breechcloth
Breechcloth; probably Yanktonai; 1860-1870Wool, porcupine quills, sinew, metal, horsehair, pigments; 117.5 x 28.5 cm.\RMV 710-9; Herman F.C. ten Kate collection; purchased from tra...
Man's shirt
Man's shirt
Man's outfit; Plains Cree; 1840-1850Hide, porcupine quills, beaver toes, sinew, pigments; l. of shirt at front, 105 cm; l. of inside leggings, 115 cm.‖RMV 524-2 and 3; purchased fr...
Skirt suit, grey cotton with broken glass and skeleton print, by Sarah Whitworth for New Masters, Great Britain, 1983. Jacket, grey cotton with spider and skeleton print, by Sarah Whitworth's label New Masters, Great Britain, 1983; Skirt, grey cotton with
Skirt suit, grey cotton with broken glass and skeleton print, by Sarah Whitworth for New Masters, Great Britain, 1983. Jacket, grey cotton with spider and skeleton print, by Sarah Whitworth's label New Masters, Great Britain, 1983; Skirt, grey cotton with
Skirt suit, grey cotton with broken glass and skeleton print, by Sarah Whitworth for New Masters, Great Britain, 1983. Jacket, grey cotton with spider and skeleton print, by Sarah ...