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The Foreskin Aesthetic or Ugliness Reconsidered

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This article argues that to understand the role and place of the foreskin, we must address the aesthetic question that sits at its root. North American media often describe the foreskin as “ugly,” “gross,” or pejoratively “European”; all of which present, fundamentally, an aesthetic comment on what is pleasing. As such, this article investigates the aesthetic discourse surrounding the foreskin in relation to a range of materials that speak at or around the foreskin. In particular, it looks at sources deemed to be “common”—sex manuals, pregnancy manuals, and film and television—alongside theoretical and scientific studies. Undertaking a close reading of these materials, this article sheds light on the striking similarities that these distinct bodies of literature share and the way that aesthetics undergirds their arguments, often as a silent statement rather than exerted forcefully. Through this argument, this article breaks new ground on the way that we consider the foreskin, and, importantly, the aestheticization processes that shape our understanding of this seemingly ancillary component of the penis. Accordingly, this article contributes to a growing body of scholarship on the politics of the foreskin and circumcision by shifting the debate to consider the aesthetic.
Title: The Foreskin Aesthetic or Ugliness Reconsidered
Description:
This article argues that to understand the role and place of the foreskin, we must address the aesthetic question that sits at its root.
North American media often describe the foreskin as “ugly,” “gross,” or pejoratively “European”; all of which present, fundamentally, an aesthetic comment on what is pleasing.
As such, this article investigates the aesthetic discourse surrounding the foreskin in relation to a range of materials that speak at or around the foreskin.
In particular, it looks at sources deemed to be “common”—sex manuals, pregnancy manuals, and film and television—alongside theoretical and scientific studies.
Undertaking a close reading of these materials, this article sheds light on the striking similarities that these distinct bodies of literature share and the way that aesthetics undergirds their arguments, often as a silent statement rather than exerted forcefully.
Through this argument, this article breaks new ground on the way that we consider the foreskin, and, importantly, the aestheticization processes that shape our understanding of this seemingly ancillary component of the penis.
Accordingly, this article contributes to a growing body of scholarship on the politics of the foreskin and circumcision by shifting the debate to consider the aesthetic.

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