Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A Barber and His Client

View through Harvard Museums
The depiction shows a barber trimming the mustache of his client. The barber, seated on the right, wears a turban, a long robe (jama), and a waist sash (patka). His right hand delicately holds the bridge of his client’s nose, while he plucks the mustache of his client with a pair of tweezers in his left hand. In fron of him is a box of tools, a small cup, and a round, silvered mirror with a handle. The client wears a turban, a long robe, and a waist sash. While his left hand sits on his lap, his right hand holds up the end of his scarf to his upper lip. In the bottom right corner are swirls and scribbles, signifying the artist testing strokes as well as adjusting the amount of pigment held in the brushes. Rajput style.
Department of Islamic & Later Indian Art Stuart Cary Welch (by 1973 - 2008 ) by descent; to his estate (2008-2009 ) gift; to Harvard Art Museum. Notes: Object was part of temporary loan to Museum in 1973. Harvard Art Museums/Arthur M. Sackler Museum The Stuart Cary Welch Collection Gift of Edith I. Welch in memory of Stuart Cary Welch
image-zoom
Title: A Barber and His Client
Description:
The depiction shows a barber trimming the mustache of his client.
The barber, seated on the right, wears a turban, a long robe (jama), and a waist sash (patka).
His right hand delicately holds the bridge of his client’s nose, while he plucks the mustache of his client with a pair of tweezers in his left hand.
In fron of him is a box of tools, a small cup, and a round, silvered mirror with a handle.
The client wears a turban, a long robe, and a waist sash.
While his left hand sits on his lap, his right hand holds up the end of his scarf to his upper lip.
In the bottom right corner are swirls and scribbles, signifying the artist testing strokes as well as adjusting the amount of pigment held in the brushes.
Rajput style.

Related Results

The Caliph Harun al-Rashid in the Bath (painting, recto; text, verso), folio from a manuscript of the Khamsa (Makhzan al-Asrar) by Nizami
The Caliph Harun al-Rashid in the Bath (painting, recto; text, verso), folio from a manuscript of the Khamsa (Makhzan al-Asrar) by Nizami
This painting illustrates a lively scene of men being washed, scrubbed, and shaved in a bathhouse. An integral part of Islamic cultures, baths (hammam) included a succession of roo...
painting (watercolour): ["David Love"]
painting (watercolour): ["David Love"]
Portrait of a man in a black top hat. He also wears a brown jacket and a black waistcoat. He is holding papers in both hands. Stamp at bottom left of page reads 'Bristol Paper' aro...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Tirthankara Suparsvanatha in Kayotsarga, or Standing Meditation, Posture and Protected by a Five-Headed Naga
Formerly thought to represent Parsvanatha, Jainism’s twenty-third Tirthankara, this sculpture has now been identified as Suparsvanatha, Jainism’s seventh Tirthankara. According to ...
Amphora (storage jar): Herakles Fighting Geryon; Arming of a Warrior
Amphora (storage jar): Herakles Fighting Geryon; Arming of a Warrior
On one side: Herakles fighting Geryon. For one of his labors, Herakles was required to travel to Erytheia, an island in the far west, to take the cattle of Geryon, a triple-bodied ...

Back to Top