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Bach Perspectives, Volume 10

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A publication of the American Bach Society, this book pioneers new areas of research into the life, times, and music of the master composer. This volume is a collection of groundbreaking essays exploring various aspects of Johann Sebastian Bach's organ-related activities. Bach's report on Johann Scheibe's organ at St. Paul's Church in Leipzig is reconsidered. The likely provenance and purpose of a collection of chorale harmonizations copied in Dresden is clarified. The ways various independent trio movements served Bach as an artist and teacher is investigated. The origins of concerted Bach cantata movements are sought, spotlighting the organ and proposing family trees of both parent works and offspring. Finally, the book provides a broad cultural frame for such pieces and notes how their components engage in a larger discourse about the German Baroque organ's intimation of Heaven. The book provides an eighteenth-century context for Johann Sebastian Bach's cantatas with obbligato organ by showing how their various components engage in a larger discourse about the German Baroque organ: namely, its intimation of Heaven.
University of Illinois Press
Title: Bach Perspectives, Volume 10
Description:
A publication of the American Bach Society, this book pioneers new areas of research into the life, times, and music of the master composer.
This volume is a collection of groundbreaking essays exploring various aspects of Johann Sebastian Bach's organ-related activities.
Bach's report on Johann Scheibe's organ at St.
Paul's Church in Leipzig is reconsidered.
The likely provenance and purpose of a collection of chorale harmonizations copied in Dresden is clarified.
The ways various independent trio movements served Bach as an artist and teacher is investigated.
The origins of concerted Bach cantata movements are sought, spotlighting the organ and proposing family trees of both parent works and offspring.
Finally, the book provides a broad cultural frame for such pieces and notes how their components engage in a larger discourse about the German Baroque organ's intimation of Heaven.
The book provides an eighteenth-century context for Johann Sebastian Bach's cantatas with obbligato organ by showing how their various components engage in a larger discourse about the German Baroque organ: namely, its intimation of Heaven.

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