Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

OpenKinoAI: A Framework for Intelligent Cinematography and Editing of Live Performances

View through CrossRef
Abstract OpenKinoAI is an open source framework for postproduction of ultra-high definition video, which makes it possible to emulate professional multiclip editing techniques for the case of single-camera recordings. OpenKinoAI includes tools for uploading raw video footage of live performances on a remote web server; detecting, tracking, and recognizing the performers in the original material; reframing the raw video into a large choice of cinematographic rushes; editing the rushes into movies; and annotating rushes and movies for documentation purposes. OpenKinoAI is made available to promote research in multiclip video editing of ultra-high definition video and to allow performing artists and companies to use this research for archiving, documenting, and sharing their work online in an innovative fashion.
Title: OpenKinoAI: A Framework for Intelligent Cinematography and Editing of Live Performances
Description:
Abstract OpenKinoAI is an open source framework for postproduction of ultra-high definition video, which makes it possible to emulate professional multiclip editing techniques for the case of single-camera recordings.
OpenKinoAI includes tools for uploading raw video footage of live performances on a remote web server; detecting, tracking, and recognizing the performers in the original material; reframing the raw video into a large choice of cinematographic rushes; editing the rushes into movies; and annotating rushes and movies for documentation purposes.
OpenKinoAI is made available to promote research in multiclip video editing of ultra-high definition video and to allow performing artists and companies to use this research for archiving, documenting, and sharing their work online in an innovative fashion.

Related Results

Estimates of Maize Plant Density from UAV RGB Images Using Faster-RCNN Detection Model: Impact of the Spatial Resolution
Estimates of Maize Plant Density from UAV RGB Images Using Faster-RCNN Detection Model: Impact of the Spatial Resolution
Early-stage plant density is an essential trait that determines the fate of a genotype under given environmental conditions and management practices. The use of RGB images taken fr...
Music Information Retrieval in Live Coding: A Theoretical Framework
Music Information Retrieval in Live Coding: A Theoretical Framework
Abstract Music information retrieval (MIR) has a great potential in musical live coding because it can help the musician–programmer to make musical decisions based o...
Quantification and Substitution: The Abstract Space of Virtual Cinematography
Quantification and Substitution: The Abstract Space of Virtual Cinematography
In order to assign space value and enter it into an exchange economy, capitalism works to reduce it to an abstract plan. Writing about this process, Henri Lefebvre coins the term ‘...
Herding Cats: Observing Live Coding in the Wild
Herding Cats: Observing Live Coding in the Wild
After an eventful decade of live-coding activities, this article seeks to explore the practice with the aim of situating it in the history of contemporary arts and music. The artic...
Sexuality, Third-Party Harms, and the “Live-and-Let-Live” Approach to Religious Exemptions
Sexuality, Third-Party Harms, and the “Live-and-Let-Live” Approach to Religious Exemptions
For several years now, a group of prominent religious liberty scholars in the United States have been defending what they call a “live-and-let-live” approach to accommodating relig...
Octahedral Creativity Framework
Octahedral Creativity Framework
Abstract Currently, Rhodes’ 4p framework of creativity is the most widely accepted framework to understand creativity. In spite of this, there are many new theories ...
From Site-specific to Site-responsive: Sound art performances as participatory milieu
From Site-specific to Site-responsive: Sound art performances as participatory milieu
This article concerns context-based live electronic music, specifically performances which occur in response to a particular location or space. I outline a set of practices which c...
In what form can ‘live electronic music’ live on?
In what form can ‘live electronic music’ live on?
In 1991 I wrote a short article comparing three ‘live electronic’ ensembles based in the UK and active in the late 1960s and 1970s (one into the 1980s) (Emmerson 1991). It was only...

Back to Top