Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Knowledge transfer in heritage cultural craft, damask weaving

View through CrossRef
The hand weaving of damask is no longer a craft that is commonly learned and very few books on the subject have been published in the last century. Damask weaving still exists among private practitioners, but what happens to the knowledge when nobody knows how to dress a loom and weave anymore?  The aim of this study is to describe and compare damask weaving from a learning perspective in order to generate knowledge of how damask weaving is described in the literature and how the knowledge is communicated to increase understanding of the learning process and to generate a theoretical understanding of practical knowledge transfer. The method used is a literature study and open interviews with people who teach damask weaving. The study shows that the literature does not provide enough information on how to dress and weave damask. The interviews give a deeper understanding of the practical knowledge. The analysis shows that it is difficult to use only cognitive reading as interpretation from the body and hands are needed and the different steps need to be dissected in detail.
Title: Knowledge transfer in heritage cultural craft, damask weaving
Description:
The hand weaving of damask is no longer a craft that is commonly learned and very few books on the subject have been published in the last century.
Damask weaving still exists among private practitioners, but what happens to the knowledge when nobody knows how to dress a loom and weave anymore?  The aim of this study is to describe and compare damask weaving from a learning perspective in order to generate knowledge of how damask weaving is described in the literature and how the knowledge is communicated to increase understanding of the learning process and to generate a theoretical understanding of practical knowledge transfer.
The method used is a literature study and open interviews with people who teach damask weaving.
The study shows that the literature does not provide enough information on how to dress and weave damask.
The interviews give a deeper understanding of the practical knowledge.
The analysis shows that it is difficult to use only cognitive reading as interpretation from the body and hands are needed and the different steps need to be dissected in detail.

Related Results

Craft interests during leisure time and craft learning outcomes in Finland
Craft interests during leisure time and craft learning outcomes in Finland
Abstract The Finnish National Board of Education (FNBE) evaluated learning outcomes in craft in the final ninth grade of compulsory education in March 2010. The eval...
Kestävä kädenjälki käsityössä
Kestävä kädenjälki käsityössä
Käsitepari kestävä käsityö on syntynyt käsityön vastaukseksi kestävän kehityksen haasteisiin. Tässä teoreettisessa kirjallisuuskatsauksessa tarkastelemme käsityötä mahdollisuutena ...
MAKNA TENUN IKAT DAYAK SINTANG DITINJAU DARI TEORI SEMIOTIKA SOSIAL THEO VAN LEEUWEN
MAKNA TENUN IKAT DAYAK SINTANG DITINJAU DARI TEORI SEMIOTIKA SOSIAL THEO VAN LEEUWEN
<p>ABSTRACT<br />Sintang’s Dayak ikat weaving, which is one of the cultural artifacts of Sintang District, West Kalimantan, is used by indigenous peoples (Dayak tribes)...
A quantitative description of the spatial–temporal distribution and evolution pattern of world cultural heritage
A quantitative description of the spatial–temporal distribution and evolution pattern of world cultural heritage
Abstract Depicting the temporal and spatial evolution pattern of global world cultural heritage systematically and finely is the basis of heritage recognition and protect...
Design of Ulos Weaving Handicraft Centre in Samosir Regency with Green Architecture Approach
Design of Ulos Weaving Handicraft Centre in Samosir Regency with Green Architecture Approach
Indonesia is famous for its rich culture, especially the traditional fabrics of each region.  North Sumatra is one of the contributions to that cultural heritage. Weaving Ulos or '...
A quantitative description of the spatial-temporal distribution and evolution pattern of world cultural heritage
A quantitative description of the spatial-temporal distribution and evolution pattern of world cultural heritage
Abstract Depicting the temporal and spatial evolution pattern of global world cultural heritage systematically and finely is the basis of heritage recognition and protectio...
Craft in economic context: The representation of Finnish craft in the economic press
Craft in economic context: The representation of Finnish craft in the economic press
The discipline of design is constantly reshaping itself. In the case of craft, it is increasingly discussed in the realm of the economic world, although craft is normally associate...
Looking at the cultural heritage proclamations of Ethiopia: conceptualisation and management of cultural heritage
Looking at the cultural heritage proclamations of Ethiopia: conceptualisation and management of cultural heritage
AbstractThe main purpose of this paper is to explore how the conceptualisation and management of cultural heritage have been treated in the cultural heritage proclamations of Ethio...

Back to Top