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Discarding the disclaimer? Reappraising fiction as a mode of biography

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While the biographical novel has created an openness to representing lives in fiction it is usually expected to provide a disclaimer certifying the work’s unreliability despite its potential for truth-telling and rich tools for writers wishing to tell the stories of real people. Even so, more serious attention to the historical novel since Lukács, the impact of the postmodern novel, plus the variety of published works that have adopted fictional strategies to tell lives over the last half century suggest this perspective is shifting. Using Ina Schabert’s seminal work on fictional biography as a scholarly reference point, this paper explores fiction’s biographical capacity, turning to published works and personal writing practice to try to reappraise the potential of fiction as a mode of biography.
Australasian Association of Writing Programs
Title: Discarding the disclaimer? Reappraising fiction as a mode of biography
Description:
While the biographical novel has created an openness to representing lives in fiction it is usually expected to provide a disclaimer certifying the work’s unreliability despite its potential for truth-telling and rich tools for writers wishing to tell the stories of real people.
Even so, more serious attention to the historical novel since Lukács, the impact of the postmodern novel, plus the variety of published works that have adopted fictional strategies to tell lives over the last half century suggest this perspective is shifting.
Using Ina Schabert’s seminal work on fictional biography as a scholarly reference point, this paper explores fiction’s biographical capacity, turning to published works and personal writing practice to try to reappraise the potential of fiction as a mode of biography.

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