Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Music and Gesture
View through CrossRef
This chapter explores the relationship between music and physical gesture, drawing on recent research on the spontaneous gestures that accompany speech. Such gestures appear to be motivated by thought processes that are independent from speech and that in many cases offer analogs for dynamic processes. The chapter outlines the infrastructure for human communication that supports language and gesture as well as music. This outline provides a framework for exploring how music and gesture are similar and for how they are different. These comparisons are made through analyses of the movements Fred Astaire makes while accompanying himself at the piano in the 1936 film Swing Time and those Charlie Chaplin makes to Brahms’s Hungarian Dance No. 5 in the 1941 film The Great Dictator. These analyses further explicate the role of syntactic processes and syntactic layers in musical grammar and introduce referential frameworks, which serve as perceptual anchors for syntactic processes.
Title: Music and Gesture
Description:
This chapter explores the relationship between music and physical gesture, drawing on recent research on the spontaneous gestures that accompany speech.
Such gestures appear to be motivated by thought processes that are independent from speech and that in many cases offer analogs for dynamic processes.
The chapter outlines the infrastructure for human communication that supports language and gesture as well as music.
This outline provides a framework for exploring how music and gesture are similar and for how they are different.
These comparisons are made through analyses of the movements Fred Astaire makes while accompanying himself at the piano in the 1936 film Swing Time and those Charlie Chaplin makes to Brahms’s Hungarian Dance No.
5 in the 1941 film The Great Dictator.
These analyses further explicate the role of syntactic processes and syntactic layers in musical grammar and introduce referential frameworks, which serve as perceptual anchors for syntactic processes.
Related Results
Seeing Voices
Seeing Voices
Abstract
We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to t...
African American Covers of Country Music Before Ray Charles
African American Covers of Country Music Before Ray Charles
Timothy Dodge explores African American interest in and participation in country music dates from the earliest days of the recording industry’s racial segregation of vernacular mus...
Music Therapy Research
Music Therapy Research
Music therapy is an evidence-based profession. Music therapy research aims to provide information about outcomes that support music therapy practice including contributing to theor...
Black Music Matters
Black Music Matters
Black Music Matters: Jazz and the Transformation of Music Studies is one of the first books to promote the reform of music studies with a centralized presence of jazz and black mus...
Developing New Posts in Music Therapy
Developing New Posts in Music Therapy
Many music therapists join an organization as the first employee in the role, and consequently are the first music therapist that many of their new colleagues will have met. This c...
Rastafari and Reggae
Rastafari and Reggae
A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music...
Music Therapy in Grief and Mourning
Music Therapy in Grief and Mourning
Music therapists endeavour to understand music’s significance for people who are mourning unfulfilled hopes and a life once lived; who are trying to deal with uncertainty, altered ...
Music of the Counterculture Era
Music of the Counterculture Era
The late 1960s and early 1970s saw the flourishing of an American counterculture that affected many walks of society. The movement's music provided the soundtrack for this bellweth...