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Two Late-Antique statues from ancient Messene

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This article gives a first publication of two late antique statues; it discusses their archaeological context suggesting an appropriate date and tries to place them in their historical and cultural environment.The statues of Messene are important because they represent a rare instance of two late antique statues from Achaia for the study of which a precise archaeological context is available. They were the products of a local workshop and could be dated to the first quarter of the fourth century. The two late antique statues, of an emperor (perhaps Constantine I) and of Hermes, and a third earlier one showing Artemis Laphria, were part of a late Roman sculptural assemblage. It is here argued that they all stood together in niches, inside the reception room of a wealthy town mansion. They offer a vivid insight into the taste and self-representation of the owner of the house. It is suggested that they represent a mix of contemporary political reference and traditional values of the Greco-Roman aristocracy: loyalty to the Imperial House, social status and education, euergetism, and perhaps traditional religion.
Title: Two Late-Antique statues from ancient Messene
Description:
This article gives a first publication of two late antique statues; it discusses their archaeological context suggesting an appropriate date and tries to place them in their historical and cultural environment.
The statues of Messene are important because they represent a rare instance of two late antique statues from Achaia for the study of which a precise archaeological context is available.
They were the products of a local workshop and could be dated to the first quarter of the fourth century.
The two late antique statues, of an emperor (perhaps Constantine I) and of Hermes, and a third earlier one showing Artemis Laphria, were part of a late Roman sculptural assemblage.
It is here argued that they all stood together in niches, inside the reception room of a wealthy town mansion.
They offer a vivid insight into the taste and self-representation of the owner of the house.
It is suggested that they represent a mix of contemporary political reference and traditional values of the Greco-Roman aristocracy: loyalty to the Imperial House, social status and education, euergetism, and perhaps traditional religion.

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