Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Images And Relics

View through CrossRef
Abstract John Dillenberger has written the first comprehensive account of the relation between the visual arts and theological currents in Europe during the first half of the sixteenth century. With an astute knowledge of the theology of the period and a keen interest in the lives and work of prominent artists, Dillenberger makes incisive connections that illuminate the cultural movements of the time. Images and Relics considers both popular and professional art within distinct religious contexts. It examines the works of Matthias Grunewald, Albrecht Durer, Lucas Cranach the Elder, Michelangelo, Hans Holbein the Younger, Hans Baldung Grien, and Albrecht Altdorfer, and demonstrates how these artists expressed and transformed the reigning theological ideas of their day. The book also addresses the range of iconoclastic movements from the 1520s to the 1570s, particularly in northern Europe. Finally, Dillenberger reflects on the ambiguity of the history of this period and its continuing impact on modern-day life.
Oxford University PressNew York, NY
Title: Images And Relics
Description:
Abstract John Dillenberger has written the first comprehensive account of the relation between the visual arts and theological currents in Europe during the first half of the sixteenth century.
With an astute knowledge of the theology of the period and a keen interest in the lives and work of prominent artists, Dillenberger makes incisive connections that illuminate the cultural movements of the time.
Images and Relics considers both popular and professional art within distinct religious contexts.
It examines the works of Matthias Grunewald, Albrecht Durer, Lucas Cranach the Elder, Michelangelo, Hans Holbein the Younger, Hans Baldung Grien, and Albrecht Altdorfer, and demonstrates how these artists expressed and transformed the reigning theological ideas of their day.
The book also addresses the range of iconoclastic movements from the 1520s to the 1570s, particularly in northern Europe.
Finally, Dillenberger reflects on the ambiguity of the history of this period and its continuing impact on modern-day life.

Related Results

Independence, Colonial Relics, and Monuments in the Caribbean
Independence, Colonial Relics, and Monuments in the Caribbean
Independence, Colonial Relics, and Monuments in the Caribbeanis a collection of critical perspectives on independence and the legacies of colonialism in the post-colonial Caribbean...
Fake Photos
Fake Photos
A concise and accessible guide to techniques for detecting doctored and fake images in photographs and digital media. Stalin, Mao, Hitler, Mussolini, and other dicta...
The Visual Narrative Reader
The Visual Narrative Reader
Sequential images are as natural at conveying narratives as verbal language, and have appeared throughout human history, from cave paintings and tapestries right through to modern ...
Nerva and the Roman Empire
Nerva and the Roman Empire
While denotative images celebrating aspects of Nerva’s policy have attracted most scholarly study, their importance is overemphasized since the most common images on Nerva’s coinag...
Arrested Images and “the Between-Images”
Arrested Images and “the Between-Images”
Raymond Bellour explains his concept of “the between-images,” and comments on the status of the arrested image in relation to the time-image, suggesting how video was an instrument...
Effigy
Effigy
Effigy examines the images of a capital defendant portrayed, by the defense attorneys and the prosecutor, during the guilt and penalty phases of capital trial, the trial tactics us...

Back to Top