Sadie and Allison in the Apocalypse

This chapter discusses the argument that zombie fictions are in a privileged position to discuss progressive visions of gender politics. Following the book’s larger argument that zombies open spaces of possibility, rather than symbolically represent a particular politics, it briefly reads a number of zombie fictions for their depiction of women’s roles and relates them to literary form. It posits the possibility of something like a “genrécriture feminine” that limits writers in the ways they can depict women in the zombie apocalypse, a possibility explored by contrasting the initial set of texts with an exploration of two novels, Madeleine Roux’s Allison Hewitt is Trapped and Sadie Walker is Stranded. Ultimately, the chapter concludes, while zombie fiction offers possibilities to explore progressive gender positions, few texts actually make use of this possibility.