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The Possibility of Darkness: Blackout and Shadow in Chris Goode'sWho You Are

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Although a rather recent convention, sitting in the dark looking at others in the light has become a standard element of going to see a theatrical performance. Before the introduction of powered lighting systems that focused light on the stage, however, audiences and actors alike were bathed in a shared illumination. As life outside the theatre becomes ever more exposed by light, what are the possibilities presented for and by a performance that takes place in darkness? In this article I discuss these possibilities as they were explored in Chris Goode'sWho You Are, a performance commissioned by Tate Modern for Experiences of the Dark, a series of talks, presentations and other works inside Miroslaw Balka's giant installationHow It Is.
Cambridge University Press (CUP)
Title: The Possibility of Darkness: Blackout and Shadow in Chris Goode'sWho You Are
Description:
Although a rather recent convention, sitting in the dark looking at others in the light has become a standard element of going to see a theatrical performance.
Before the introduction of powered lighting systems that focused light on the stage, however, audiences and actors alike were bathed in a shared illumination.
As life outside the theatre becomes ever more exposed by light, what are the possibilities presented for and by a performance that takes place in darkness? In this article I discuss these possibilities as they were explored in Chris Goode'sWho You Are, a performance commissioned by Tate Modern for Experiences of the Dark, a series of talks, presentations and other works inside Miroslaw Balka's giant installationHow It Is.

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