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Pelvis II
View through The Met
Oil on canvas
Modern and Contemporary Art, Metropolitan Museum of Art New York NY, George A. Hearn Fund 1947
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Pelvis, for "Passage to Etna"
Pelvis, for "Passage to Etna"
Remnants of brown paper from old mount at three corners of verso....
Detachable Figure: Dancer
Detachable Figure: Dancer
Lipchitz met Pablo Picasso in 1913 through their mutual friend Diego Rivera. As a great admirer and collector of non-Western art, Lipchitz immediately understood the potential of C...
Delar av skelett, kranium, bäcken, underkäke samt några mynt.
Urval från Elisabet Iregrens anteckningar -2004: “Två lösa lappar i lådan, “Hsiu Tieu B” och “Han skeleton”. Incomplete skeleton, not cleaned, and in a bad state. Age ca. 25- 35 years.”
Mer inf
Delar av skelett, kranium, bäcken, underkäke samt några mynt.
Urval från Elisabet Iregrens anteckningar -2004: “Två lösa lappar i lådan, “Hsiu Tieu B” och “Han skeleton”. Incomplete skeleton, not cleaned, and in a bad state. Age ca. 25- 35 years.”
Mer inf
Parts of skeletons, cranium, pelvis, lower jaw and some coins.
Selection from Elisabet Iregren’s notes -2004: “Two loose patches in the box,” Hsiu Tieu B “and” Han skeleton. " Inn ...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...