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Sketchbook ("Rouen/ Dijon/ Lyons"): Portrait Studies
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Sketchbook with beige-cloth-covered cardboard covers, pencil sleeve; and the remains of cloth ties. Pages of off-white wove paper. Sewn page block. The sketchbook is incomplete, with thirty-one pages remaining, and it contains 18 drawings. The pages are numbered in red-brown ink in the upper right corners.
Contents: Studies of Mrs. Joseph Chamberlain (1902, National Gallery of Art, Washington) and Mrs. Leopold Hirsch (1902, private collection); studies for the portrait of the Marlborough family (1905, Blenheim Palace, Woodstock, Oxfordshire) and a sketch after Reynold’s portrait of the Marlborough family (1777-78, Blenheim Palace); sketches for the Handmaiden of the Lord panel at the Boston Public Library and sketches of a hand holding a bowl that may relate to the Boston Public Library project; profile studies and a sketch of a standing woman. On the first page, Sargent has listed his expenses (?) under various clients' names from Rouen, Dijon, Lyon, Avignon, and Toulouse.
Department of Drawings
To the artist's sisters Violet (Mrs. Francis) Ormond and Emily Sargent at his death 1925; gift of Mrs. Ormond to the Fogg Art Museum 1937.
Harvard Art Museums/Fogg Museum Gift of Mrs. Francis Ormond
Title: Sketchbook ("Rouen/ Dijon/ Lyons"): Portrait Studies
Description:
Sketchbook with beige-cloth-covered cardboard covers, pencil sleeve; and the remains of cloth ties.
Pages of off-white wove paper.
Sewn page block.
The sketchbook is incomplete, with thirty-one pages remaining, and it contains 18 drawings.
The pages are numbered in red-brown ink in the upper right corners.
Contents: Studies of Mrs.
Joseph Chamberlain (1902, National Gallery of Art, Washington) and Mrs.
Leopold Hirsch (1902, private collection); studies for the portrait of the Marlborough family (1905, Blenheim Palace, Woodstock, Oxfordshire) and a sketch after Reynold’s portrait of the Marlborough family (1777-78, Blenheim Palace); sketches for the Handmaiden of the Lord panel at the Boston Public Library and sketches of a hand holding a bowl that may relate to the Boston Public Library project; profile studies and a sketch of a standing woman.
On the first page, Sargent has listed his expenses (?) under various clients' names from Rouen, Dijon, Lyon, Avignon, and Toulouse.
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